1 00:00:02,667 --> 00:00:03,433 PREVIOUSLY ON 2 00:00:03,433 --> 00:00:05,733 LOVE and HIP-HOP: ATLANTA... 3 00:00:05,733 --> 00:00:07,667 SHE DON'T KNOW ABOUT... 4 00:00:07,667 --> 00:00:08,533 YEAH, NOTHING. 5 00:00:08,533 --> 00:00:09,367 NOTHING? 6 00:00:09,367 --> 00:00:10,400 [laughs] 7 00:00:10,400 --> 00:00:11,367 WHAT? WHAT? WHAT? 8 00:00:11,367 --> 00:00:12,300 HEY, GIRL. 9 00:00:12,300 --> 00:00:13,300 THIS IS SHAY, 10 00:00:13,300 --> 00:00:14,700 SCRAPPY'S FRIEND. 11 00:00:14,700 --> 00:00:15,900 FRIEND. 12 00:00:15,900 --> 00:00:17,467 I WANTED TO LET YOU KNOW 13 00:00:17,467 --> 00:00:19,800 HE WAS THERE WITH A WOMAN. 14 00:00:19,800 --> 00:00:20,667 I DON'T EVEN KNOW WHAT TO 15 00:00:20,667 --> 00:00:22,800 SAY. 16 00:00:22,800 --> 00:00:23,967 AND I'M GONNA LEAVE THAT DOOR 17 00:00:23,967 --> 00:00:25,167 AGAIN OPEN FOR YOU, RASHEEDA. 18 00:00:25,167 --> 00:00:26,467 I WOULD STILL LIKE TO GO 19 00:00:26,467 --> 00:00:29,100 IN THE STUDIO WITHOUT KIRK. 20 00:00:29,100 --> 00:00:30,033 SO BASIC, I'M ABOUT TO GET 21 00:00:30,033 --> 00:00:31,700 FIRED, IS WHAT YOU TELLING ME. 22 00:00:31,700 --> 00:00:32,567 [crying] I JUST DON'T WANT-- 23 00:00:32,567 --> 00:00:34,667 I DON'T WANT TO SAY THAT. 24 00:00:34,667 --> 00:00:36,900 WHAT'S IN THE BOX? 25 00:00:36,900 --> 00:00:39,100 WHOA. 26 00:00:39,100 --> 00:00:40,867 I GOT GOOSEBUMPS. 27 00:00:40,867 --> 00:00:41,700 WHAT'S GOING ON WITH THIS 28 00:00:41,700 --> 00:00:42,833 BENZINO GUY I'VE BEEN HEARING 29 00:00:42,833 --> 00:00:43,500 ABOUT? 30 00:00:43,500 --> 00:00:44,533 I LIKE HIM. 31 00:00:44,533 --> 00:00:47,033 HE LOVES ME. 32 00:00:47,033 --> 00:00:48,600 SHUT UP, KARLIE. 33 00:00:48,600 --> 00:00:49,600 THEY NEED TO GET YOU A HIT 34 00:00:49,600 --> 00:00:50,733 MOTHER[bleep] RECORD. 35 00:00:50,733 --> 00:00:51,600 YOU KNOW WHAT I'M SAYING? 36 00:00:51,600 --> 00:00:52,433 'CAUSE IT'S NOT LIKE YOU SO 37 00:00:52,433 --> 00:00:53,233 MOTHER[bleep] HOT YOURSELF 38 00:00:53,233 --> 00:00:55,100 EITHER. 39 00:00:55,100 --> 00:00:56,300 I WANT US ALL TO SIT DOWN 40 00:00:56,300 --> 00:00:58,300 AT A COUNSELOR SO WE ALL 41 00:00:58,300 --> 00:01:00,167 CAN BE ABLE TO WORK TOGETHER. 42 00:01:00,167 --> 00:01:00,833 ALL THREE OF US? 43 00:01:00,833 --> 00:01:01,767 YEAH. 44 00:01:01,767 --> 00:01:02,467 HE'S REALLY THINKING 45 00:01:02,467 --> 00:01:03,267 HE'S IN A THREE-WAY 46 00:01:03,267 --> 00:01:04,400 RELATIONSHIP. 47 00:01:04,400 --> 00:01:05,267 YOU TRYING TO CONTINUE 48 00:01:05,267 --> 00:01:06,733 ON YOUR RELATIONSHIP WITH HER? 49 00:01:06,733 --> 00:01:09,300 I'M--I'M WITH HIM RIGHT NOW, 50 00:01:09,300 --> 00:01:10,067 JOSELINE. 51 00:01:10,067 --> 00:01:11,067 YOU GUYS LIVING TOGETHER? 52 00:01:11,067 --> 00:01:11,933 YES, I'M IN THE HOUSE. 53 00:01:11,933 --> 00:01:13,367 YES, I HAVE BEEN THERE. 54 00:01:13,367 --> 00:01:15,600 BITCH! 55 00:01:15,600 --> 00:01:16,967 * THIS IS THE LIFE 56 00:01:16,967 --> 00:01:18,133 ♪ THIS IS THE LIFE 57 00:01:18,133 --> 00:01:18,767 * YEAH 58 00:01:18,767 --> 00:01:19,567 * THIS IS THE LIFE 59 00:01:19,567 --> 00:01:20,300 ♪ THIS IS THE LIFE 60 00:01:20,300 --> 00:01:21,067 * 'SUP ♪ 61 00:01:21,067 --> 00:01:21,833 * THIS IS THE LIFE 62 00:01:21,833 --> 00:01:22,700 ♪ THIS IS THE LIFE 63 00:01:22,700 --> 00:01:23,433 * HUH 64 00:01:23,433 --> 00:01:24,367 * THIS IS THE LIFE 65 00:01:24,367 --> 00:01:27,400 ♪ THIS IS THE LIFE 66 00:01:27,400 --> 00:01:28,133 * HUH 67 00:01:28,133 --> 00:01:29,133 ♪ THERE AIN'T NOTHING LIKE ♪ 68 00:01:29,133 --> 00:01:30,167 ♪ HIP-HOP MUSIC 69 00:01:30,167 --> 00:01:31,067 ♪ MUSIC 70 00:01:31,067 --> 00:01:31,700 * THIS IS THE LIFE 71 00:01:31,700 --> 00:01:36,267 ♪ THIS IS THE LIFE 72 00:01:44,267 --> 00:01:45,900 JOSELINE, JOSELINE. 73 00:01:45,900 --> 00:01:46,967 CALM DOWN, JOSELINE. 74 00:01:46,967 --> 00:01:48,467 HEY, LET GO OF ME! 75 00:01:48,467 --> 00:01:50,900 LET GO OF ME! 76 00:01:50,900 --> 00:01:51,567 NO! 77 00:01:51,567 --> 00:01:52,367 JOSELINE. 78 00:01:52,367 --> 00:01:53,133 YOU KNOW, EVER SINCE I MET 79 00:01:53,133 --> 00:01:54,633 STEVIE, HE SAY THAT MIMI'S 80 00:01:54,633 --> 00:01:56,500 BEEN NOTHING BUT THE BABY MAMA. 81 00:01:56,500 --> 00:01:57,500 HE TELLS ME HE LOVE ME, 82 00:01:57,500 --> 00:01:58,533 BUT WHEN I'M NOT AROUND, 83 00:01:58,533 --> 00:02:00,567 HE GOES HOME TO MIMI. 84 00:02:00,567 --> 00:02:01,833 JOSELINE NEEDS TO UNDERSTAND 85 00:02:01,833 --> 00:02:03,133 WHY WE'RE THERE. 86 00:02:03,133 --> 00:02:04,200 NOT TO PUNCH THE [bleep] 87 00:02:04,200 --> 00:02:05,133 OUT OF EACH OTHER, 88 00:02:05,133 --> 00:02:06,200 BUT TO MOVE FORWARD. 89 00:02:06,200 --> 00:02:07,700 PUT IT ALL ON THE TABLE. 90 00:02:07,700 --> 00:02:08,567 AND I DON'T REACT WELL 91 00:02:08,567 --> 00:02:09,533 TO PUNCHES, SO HAD TO GET 92 00:02:09,533 --> 00:02:11,900 THE [bleep] OUT OF THERE. 93 00:02:11,900 --> 00:02:12,767 WHAT THE HELL WAS THAT 94 00:02:12,767 --> 00:02:13,433 ALL ABOUT? 95 00:02:13,433 --> 00:02:14,400 BECAUSE OBVIOUSLY THERE'S 96 00:02:14,400 --> 00:02:15,633 STILL [bleep] AND EVERYTHING 97 00:02:15,633 --> 00:02:16,300 ELSE. 98 00:02:16,300 --> 00:02:17,867 I'M SAYING, OBVIOUSLY 99 00:02:17,867 --> 00:02:19,233 THEY'RE STILL [bleep] 100 00:02:19,233 --> 00:02:20,733 AND HE'S STILL WHATEVER HE'S 101 00:02:20,733 --> 00:02:22,133 SAYING TO HER FOR HER TO GO 102 00:02:22,133 --> 00:02:23,567 TO [bleep] OFF LIKE THAT 103 00:02:23,567 --> 00:02:25,167 IF I SAID I'M STAYING WITH HIM. 104 00:02:25,167 --> 00:02:27,333 I JUST SAID THAT-- 105 00:02:27,333 --> 00:02:28,600 "OH, I BEEN AT THE HOUSE"-- 106 00:02:28,600 --> 00:02:30,333 JUST TO SEE HER REACTION. 107 00:02:30,333 --> 00:02:32,133 SURE ENOUGH, 108 00:02:32,133 --> 00:02:34,867 SHE JUMPS UP AND PUNCHES HIM 109 00:02:34,867 --> 00:02:36,567 SMACK DAB IN HIS FACE. 110 00:02:36,567 --> 00:02:38,133 DO YOU FEEL THAT YOU'VE JUST 111 00:02:38,133 --> 00:02:40,467 COMPROMISED WAY TOO MUCH? 112 00:02:40,467 --> 00:02:41,267 YES. 113 00:02:41,267 --> 00:02:43,200 I FEEL LIKE A [bleep] 114 00:02:43,200 --> 00:02:44,367 RIGHT NOW 115 00:02:44,367 --> 00:02:46,067 FOR EVEN BELIEVING 116 00:02:46,067 --> 00:02:47,400 THE BULL[bleep]. 117 00:02:47,400 --> 00:02:48,367 AGAIN. 118 00:02:48,367 --> 00:02:49,867 I DESERVE BETTER THAN THIS. 119 00:02:49,867 --> 00:02:51,400 THIS IS BULL[bleep]. 120 00:02:51,400 --> 00:02:52,867 I WOULD LOVE TO GET HER SIDE 121 00:02:52,867 --> 00:02:54,633 OF THE STORY, 'CAUSE I GOT HIS, 122 00:02:54,633 --> 00:02:56,200 BUT I WOULD LOVE TO GET HERS. 123 00:02:56,200 --> 00:02:57,567 LET ME SEE WHAT I CAN DO. 124 00:02:57,567 --> 00:02:59,400 THE BOTTOM LINE IS, 125 00:02:59,400 --> 00:03:01,333 HE'S NOT GONNA STOP. 126 00:03:01,333 --> 00:03:02,767 GO DO YOU AND BE HAPPY 127 00:03:02,767 --> 00:03:05,900 DOING YOU, 'CAUSE GUESS WHAT? 128 00:03:05,900 --> 00:03:07,933 I'M ABOUT TO GO DO ME. 129 00:03:07,933 --> 00:03:08,733 JOSELINE, WHAT HAPPENED 130 00:03:08,733 --> 00:03:09,533 IN THERE? 131 00:03:09,533 --> 00:03:11,067 HE ALWAYS LIES TO ME 132 00:03:11,067 --> 00:03:11,767 AND TELLS ME HE WANTS 133 00:03:11,767 --> 00:03:12,500 TO BE WITH ME. 134 00:03:12,500 --> 00:03:13,300 EVERY TIME I LEAVE HIM, 135 00:03:13,300 --> 00:03:14,767 HE ALWAYS COMES LOOKING FOR ME, 136 00:03:14,767 --> 00:03:16,533 AND I ALWAYS TAKE HIM BACK. 137 00:03:16,533 --> 00:03:17,400 BUT I DIDN'T KNOW THAT THEY 138 00:03:17,400 --> 00:03:18,333 WERE STAYING TOGETHER. 139 00:03:18,333 --> 00:03:20,067 DO YOU KNOW ABOUT HIM 140 00:03:20,067 --> 00:03:22,133 AND MIMI? 141 00:03:22,133 --> 00:03:22,900 THAT'S MY PROBLEM. 142 00:03:22,900 --> 00:03:23,733 I REALLY DON'T KNOW 143 00:03:23,733 --> 00:03:25,533 'CAUSE HE'S ALWAYS AROUND ME. 144 00:03:25,533 --> 00:03:26,667 HE ALWAYS COME TO ME. 145 00:03:26,667 --> 00:03:27,933 HE ALWAYS COMES GET ME BACK. 146 00:03:27,933 --> 00:03:28,600 "I LOVE YOU. 147 00:03:28,600 --> 00:03:29,767 I WANT TO MAKE IT WORK. 148 00:03:29,767 --> 00:03:31,133 I DON'T WANT TO LOSE YOU." 149 00:03:31,133 --> 00:03:31,933 WHAT DO YOU THINK THE TRUTH 150 00:03:31,933 --> 00:03:32,767 IS FOR YOU? 151 00:03:32,767 --> 00:03:33,967 THE TRUTH IS, FOR ME, 152 00:03:33,967 --> 00:03:35,133 I NEED TO LET THAT GO. 153 00:03:35,133 --> 00:03:36,133 YOU KNOW, I NEED TO LET THIS 154 00:03:36,133 --> 00:03:38,167 WHOLE SITUATION WITH STEVIE GO 155 00:03:38,167 --> 00:03:39,633 BECAUSE HE'S A PLAYER, 156 00:03:39,633 --> 00:03:41,533 HE'S A LAIR AND A CHEATER. 157 00:03:41,533 --> 00:03:43,333 AND I HAVE TO DO WHAT'S RIGHT 158 00:03:43,333 --> 00:03:44,167 FOR ME. 159 00:03:44,167 --> 00:03:45,200 WHERE DO YOU COME FROM? 160 00:03:45,200 --> 00:03:46,600 WHO'S YOUR FAMILY? 161 00:03:46,600 --> 00:03:47,333 I DON'T KNOW. 162 00:03:47,333 --> 00:03:48,300 I THINK I JUST HAVE A HARD 163 00:03:48,300 --> 00:03:49,600 TIME BECAUSE I NEVER REALLY 164 00:03:49,600 --> 00:03:52,267 HAD A MOM TO BE THERE FOR ME 165 00:03:52,267 --> 00:03:53,700 OR A DAD TO BE THERE FOR ME. 166 00:03:53,700 --> 00:03:55,233 SO I FEEL LIKE I TAKE EVERYTHING 167 00:03:55,233 --> 00:03:57,067 AND I BELIEVE EVERYTHING 168 00:03:57,067 --> 00:03:58,233 THAT HE SAYS TO ME 169 00:03:58,233 --> 00:03:59,133 BECAUSE IT'S LIKE, I NEVER HAD 170 00:03:59,133 --> 00:04:00,700 THAT FROM ANYONE. 171 00:04:00,700 --> 00:04:01,833 WHAT HAPPENED TO YOUR MOM 172 00:04:01,833 --> 00:04:02,933 AND YOUR DAD? 173 00:04:02,933 --> 00:04:03,933 I HAVE A STEPDAD, 174 00:04:03,933 --> 00:04:05,167 AND MY MOM, SHE NEVER REALLY 175 00:04:05,167 --> 00:04:07,067 TAUGHT ME HOW TO DO ANYTHING. 176 00:04:07,067 --> 00:04:07,800 I'VE BEEN ON MY OWN SINCE 177 00:04:07,800 --> 00:04:09,433 I WAS, LIKE, 13. 178 00:04:09,433 --> 00:04:10,933 13? 179 00:04:10,933 --> 00:04:11,967 YEAH, I USED TO RUN AWAY 180 00:04:11,967 --> 00:04:13,133 A LOT FROM THE HOUSE 181 00:04:13,133 --> 00:04:16,600 'CAUSE I NEVER HAD NO SUPPORT. 182 00:04:16,600 --> 00:04:18,567 I REALLY WONDER 183 00:04:18,567 --> 00:04:20,133 WHAT JOSELINE WILL DO 184 00:04:20,133 --> 00:04:22,433 TO BE LOVED, BECAUSE SHE NEVER 185 00:04:22,433 --> 00:04:23,667 REALLY GOT THE LOVE THAT 186 00:04:23,667 --> 00:04:24,733 SHE WANTED. 187 00:04:24,733 --> 00:04:26,900 AND I THINK WE NEED TO FIND OUT 188 00:04:26,900 --> 00:04:28,600 WHAT'S REALLY GONNA HAPPEN 189 00:04:28,600 --> 00:04:29,933 WITH THIS SITUATION 190 00:04:29,933 --> 00:04:31,867 BETWEEN THE THREE OF YOU. 191 00:04:33,767 --> 00:04:34,533 YES? 192 00:04:34,533 --> 00:04:35,233 YEAH. 193 00:04:35,233 --> 00:04:37,467 OKAY. 194 00:04:41,900 --> 00:04:43,067 AFTER TALKING TO K, 195 00:04:43,067 --> 00:04:44,667 I'M GONNA HOOK UP WITH SCRAPPY 196 00:04:44,667 --> 00:04:45,967 TO FIND OUT WHAT'S REALLY GOING 197 00:04:45,967 --> 00:04:47,733 ON, YOU KNOW, AFTER FINDING 198 00:04:47,733 --> 00:04:49,067 OUT HE SHOWED UP AT HIS MIX TAPE 199 00:04:49,067 --> 00:04:50,833 RELEASE PARTY WITH SHAY. 200 00:04:50,833 --> 00:04:52,267 AND WE JUST GONNA LINK UP 201 00:04:52,267 --> 00:04:53,600 AT THE PARK BECAUSE I DON'T 202 00:04:53,600 --> 00:04:54,767 WANT HIM AT THE HOUSE. 203 00:04:54,767 --> 00:04:55,833 EMANI'S ALREADY BEEN ASKING 204 00:04:55,833 --> 00:04:57,100 QUESTIONS. 205 00:04:57,100 --> 00:04:58,233 SOMETHING YOU WANT TO TELL ME? 206 00:04:58,233 --> 00:04:59,133 IS THAT WHAT YOU WANT TO 207 00:04:59,133 --> 00:04:59,900 HEAR? 208 00:04:59,900 --> 00:05:00,933 I'M JUST PUTTING IT OUT 209 00:05:00,933 --> 00:05:01,600 THERE. 210 00:05:01,600 --> 00:05:02,533 IS THERE ANY INFORMATION 211 00:05:02,533 --> 00:05:03,767 THAT I NEED TO KNOW 212 00:05:03,767 --> 00:05:04,833 FROM YOU FIRST? 213 00:05:04,833 --> 00:05:06,900 LIKE WHAT? 214 00:05:06,900 --> 00:05:08,300 I WAS TOLD THAT, YOU KNOW, 215 00:05:08,300 --> 00:05:09,267 YOU HAD YOUR MIX TAPE RELEASE 216 00:05:09,267 --> 00:05:10,067 PARTY. 217 00:05:10,067 --> 00:05:11,133 THEY SAY YOU WALKED IN 218 00:05:11,133 --> 00:05:12,800 WITH A GIRL BY THE NAME OF SHAY. 219 00:05:12,800 --> 00:05:15,300 SO I WANT TO KNOW, I MEAN, 220 00:05:15,300 --> 00:05:16,267 WHAT'S GOING ON? 221 00:05:16,267 --> 00:05:16,967 I KNOW HOW IT SOUND, 222 00:05:16,967 --> 00:05:17,867 BUT THAT AIN'T WHAT IT IS, 223 00:05:17,867 --> 00:05:18,533 THOUGH. 224 00:05:18,533 --> 00:05:19,267 YOU KNOW WHAT I'M SAYING? 225 00:05:19,267 --> 00:05:20,633 LIKE, I AIN'T MESSING WITH THAT. 226 00:05:20,633 --> 00:05:21,800 I AIN'T TOUCHING THAT. 227 00:05:21,800 --> 00:05:22,500 JUST FRIENDS? 228 00:05:22,500 --> 00:05:25,933 JUST FRIENDS. 229 00:05:25,933 --> 00:05:27,167 WE JUST FRIENDS. 230 00:05:27,167 --> 00:05:28,133 HAVE YOU SLEPT WITH HER? 231 00:05:28,133 --> 00:05:28,833 NO. 232 00:05:28,833 --> 00:05:29,500 NEVER? 233 00:05:29,500 --> 00:05:30,400 NO. 234 00:05:30,400 --> 00:05:31,600 WHAT ARE YOU DOING? 235 00:05:31,600 --> 00:05:33,067 FROM WHAT I HEARD, 236 00:05:33,067 --> 00:05:35,133 SCRAPPY AND SHAY ARE DEFINITELY 237 00:05:35,133 --> 00:05:36,433 MORE THAN JUST FRIENDS. 238 00:05:36,433 --> 00:05:38,867 HE HAS A PATTERN OF DOING THIS, 239 00:05:38,867 --> 00:05:42,133 AND AT THIS POINT, 240 00:05:42,133 --> 00:05:43,333 I DON'T BELIEVE HIM 241 00:05:43,333 --> 00:05:44,933 IN ANY WAY, SHAPE, OR FORM. 242 00:05:44,933 --> 00:05:46,233 SHE NOT IN MY LIFE LIKE THAT. 243 00:05:46,233 --> 00:05:47,467 EVIDENTLY SHE IS. 244 00:05:47,467 --> 00:05:48,767 YOU AT EVENTS WITH HER. 245 00:05:48,767 --> 00:05:49,533 YOU AT YOUR MIX TAPE 246 00:05:49,533 --> 00:05:50,633 RELEASE PARTY WITH YOU WALKING 247 00:05:50,633 --> 00:05:51,367 IN WITH HER. 248 00:05:51,367 --> 00:05:52,167 THAT'S MY FRIEND, YOU FEEL 249 00:05:52,167 --> 00:05:52,900 ME? 250 00:05:52,900 --> 00:05:53,667 AND THEN I'M NOT WITH YOU, 251 00:05:53,667 --> 00:05:54,833 SO AT THE TIME I CAN GO 252 00:05:54,833 --> 00:05:56,067 AND DO WHATEVER I WANT. 253 00:05:56,067 --> 00:05:56,667 WHY? 254 00:05:56,667 --> 00:05:57,533 YOU NOT WITH ME, BUT YOU TEXTING 255 00:05:57,533 --> 00:05:58,200 ME. 256 00:05:58,200 --> 00:05:58,867 YOU SAY YOU LOVE ME. 257 00:05:58,867 --> 00:05:59,800 YOU SAY YOU MISS ME. 258 00:05:59,800 --> 00:06:00,933 YOU WANT TO KICK IT WITH ME. 259 00:06:00,933 --> 00:06:01,833 BUT THEN YOU-- 260 00:06:01,833 --> 00:06:02,500 WHAT THAT GOT TO DO-- 261 00:06:02,500 --> 00:06:03,167 WHAT THAT GOT TO DO 262 00:06:03,167 --> 00:06:04,133 WITH ME BRINGING MY FRIEND, 263 00:06:04,133 --> 00:06:05,133 WITH MY FRIEND? 264 00:06:05,133 --> 00:06:06,067 WHAT YOU WANT? 265 00:06:06,067 --> 00:06:07,267 BABY MAMA TO JUST BE AT HOME 266 00:06:07,267 --> 00:06:07,933 TAKE CARE--YOU MEANT, 267 00:06:07,933 --> 00:06:08,667 "OH, YEAH, YEAH, YEAH, 268 00:06:08,667 --> 00:06:09,433 THIS MY BABY MAMA." 269 00:06:09,433 --> 00:06:10,633 IS THAT WHAT YOU WANT? 270 00:06:10,633 --> 00:06:11,700 I CAN RUN WITH WHO I WANT 271 00:06:11,700 --> 00:06:12,367 TO RUN WITH. 272 00:06:12,367 --> 00:06:13,533 IT'S MY RELEASE PARTY. 273 00:06:13,533 --> 00:06:15,233 SHAY IS MY BEST FRIEND. 274 00:06:15,233 --> 00:06:16,267 SHE CAN BE THERE. 275 00:06:16,267 --> 00:06:17,833 NO PROBLEMS, NO NOTHING, 276 00:06:17,833 --> 00:06:18,633 YOU KNOW WHAT I'M SAYING? 277 00:06:18,633 --> 00:06:20,067 WE HAVING A GOOD ASS TIME. 278 00:06:20,067 --> 00:06:21,600 AND MY WHOLE THING BE LIKE, 279 00:06:21,600 --> 00:06:24,800 EMANI, LIKE, WHAT DOES SHE, 280 00:06:24,800 --> 00:06:25,667 LIKE--A SEVEN-YEAR-OLD, 281 00:06:25,667 --> 00:06:26,733 HOW IS SHE TO FEEL ABOUT 282 00:06:26,733 --> 00:06:27,600 ALL THIS, YOU KNOW? 283 00:06:27,600 --> 00:06:29,200 FOR, YOU KNOW, HER DADDY 284 00:06:29,200 --> 00:06:30,900 TO DO HER MAMA LIKE THAT 285 00:06:30,900 --> 00:06:31,767 INSTEAD OF HOW SHE'S SUPPOSED 286 00:06:31,767 --> 00:06:32,733 TO BE TREATED BY A MAN? 287 00:06:32,733 --> 00:06:33,967 LIKE, DO YOU WANT ANYBODY 288 00:06:33,967 --> 00:06:35,233 TO THINK THAT? 289 00:06:35,233 --> 00:06:36,133 I DON'T WANT ANYBODY 290 00:06:36,133 --> 00:06:37,867 TO THINK THAT? 291 00:06:37,867 --> 00:06:39,133 WHAT YOU THINK SHE GONNA BE 292 00:06:39,133 --> 00:06:41,133 ABLE TO DO JUST LIKE WHO? 293 00:06:41,133 --> 00:06:44,533 LIKE YOU, RIGHT? 294 00:06:44,533 --> 00:06:47,067 HOW WOULD IT MAKE YOU FEEL? 295 00:06:47,067 --> 00:06:50,333 MESS ME UP. 296 00:06:50,333 --> 00:06:51,967 WHEN I SEEN ERICA CRY, 297 00:06:51,967 --> 00:06:53,300 IT'S LIKE, WOW, 298 00:06:53,300 --> 00:06:54,100 YOU KNOW WHAT I'M SAYING? 299 00:06:54,100 --> 00:06:55,567 LIKE, SHE REALLY GOT FEELINGS. 300 00:06:55,567 --> 00:06:57,567 YOU KNOW, SHE REALLY MUST LOVE 301 00:06:57,567 --> 00:06:59,067 ME, 'CAUSE I NEVER SEEN HER 302 00:06:59,067 --> 00:07:00,967 DO EMOTIONS LIKE THAT. 303 00:07:00,967 --> 00:07:01,667 I WASN'T THINKING THAT IT 304 00:07:01,667 --> 00:07:02,400 WOULD HURT YOUR FEELINGS. 305 00:07:02,400 --> 00:07:03,867 'CAUSE I WASN'T ALL UP ON HER 306 00:07:03,867 --> 00:07:05,067 DOING NONE OF THAT. 307 00:07:05,067 --> 00:07:06,133 AT THE END OF THE DAY, 308 00:07:06,133 --> 00:07:07,133 I JUST LOVE YOU. 309 00:07:07,133 --> 00:07:08,133 YOU'VE SAID THIS BEFORE. 310 00:07:08,133 --> 00:07:09,400 "LIKE, LET'S MOVE FORWARD. 311 00:07:09,400 --> 00:07:10,367 LET'S DO THIS. 312 00:07:10,367 --> 00:07:11,333 I'M ALL IN." 313 00:07:11,333 --> 00:07:12,467 BUT IT'S LIKE, DAMN, 314 00:07:12,467 --> 00:07:13,767 YOU GIVE UP SO EASY. 315 00:07:13,767 --> 00:07:15,133 HOW AM I TO KNOW THAT, 316 00:07:15,133 --> 00:07:15,933 LIKE, THIS FOR REAL, 317 00:07:15,933 --> 00:07:16,767 LIKE, YOU REALLY, REALLY 318 00:07:16,767 --> 00:07:17,667 MOVING FORWARD? 319 00:07:17,667 --> 00:07:18,800 WELL, CHECK THIS OUT: 320 00:07:18,800 --> 00:07:19,800 AT THE END OF THE DAY WHEN YOU 321 00:07:19,800 --> 00:07:20,633 CAN'T DO NOTHING BUT TAKE 322 00:07:20,633 --> 00:07:22,200 MY WORD FOR IT AND PRAY 323 00:07:22,200 --> 00:07:25,067 ABOUT IT. 324 00:07:36,433 --> 00:07:38,867 [knocking on door] 325 00:07:42,367 --> 00:07:43,267 WHAT'S UP, JOS? 326 00:07:43,267 --> 00:07:44,800 WHERE'S STEVIE AT? 327 00:07:44,800 --> 00:07:45,700 HE AIN'T HERE. 328 00:07:45,700 --> 00:07:46,700 HE NOT HERE? 329 00:07:46,700 --> 00:07:47,600 NO. 330 00:07:47,600 --> 00:07:48,633 I WENT TO BENZINO'S HOUSE 331 00:07:48,633 --> 00:07:49,833 TO GO LOOK FOR STEVIE, 332 00:07:49,833 --> 00:07:50,967 'CAUSE I HAVEN'T SEEN HIM 333 00:07:50,967 --> 00:07:51,900 SINCE I PUNCHED HIM IN THE 334 00:07:51,900 --> 00:07:52,967 THERAPIST'S OFFICE THE OTHER 335 00:07:52,967 --> 00:07:53,767 DAY. 336 00:07:53,767 --> 00:07:54,867 AND HE'S BEEN STAYING THERE 337 00:07:54,867 --> 00:07:55,833 LATELY. 338 00:07:55,833 --> 00:07:57,200 I NEED SOME ANSWERS FROM STEVIE. 339 00:07:57,200 --> 00:07:58,833 HE'S BEEN PLAYING ME AND MIMI. 340 00:07:58,833 --> 00:07:59,800 AND I STILL WANT TO TALK 341 00:07:59,800 --> 00:08:00,933 TO HIM ABOUT IT. 342 00:08:00,933 --> 00:08:02,300 HE TELLS ME TO GO TO COUNSELING 343 00:08:02,300 --> 00:08:03,800 WITH HIM AND MIMI. 344 00:08:03,800 --> 00:08:04,567 RIGHT. 345 00:08:04,567 --> 00:08:06,433 AND IT ONLY LASTED 346 00:08:06,433 --> 00:08:07,600 LITERALLY TWO MINUTES 347 00:08:07,600 --> 00:08:09,133 BECAUSE SHE SAID, 348 00:08:09,133 --> 00:08:10,467 "WELL, I'VE BEEN STAYING WITH 349 00:08:10,467 --> 00:08:11,900 HIM." 350 00:08:11,900 --> 00:08:12,800 OH. 351 00:08:12,800 --> 00:08:13,633 I CLICKED AND I PUNCHED 352 00:08:13,633 --> 00:08:14,467 THAT [bleep] RIGHT IN HIS 353 00:08:14,467 --> 00:08:15,333 [bleep]. 354 00:08:15,333 --> 00:08:16,133 YOU-- 355 00:08:16,133 --> 00:08:17,233 YES, 'CAUSE I WAS JUST HERE 356 00:08:17,233 --> 00:08:18,800 WITH HIM THE NIGHT BEFORE, 357 00:08:18,800 --> 00:08:19,733 HAVING SEX WITH HIM IN THE OTHER 358 00:08:19,733 --> 00:08:20,533 ROOM. 359 00:08:20,533 --> 00:08:21,233 YEAH, BUT SEX IS-- 360 00:08:21,233 --> 00:08:22,367 I KNOW SEX IS-- 361 00:08:22,367 --> 00:08:23,900 SEX IS WHAT? 362 00:08:23,900 --> 00:08:24,733 I MEAN, DO Y'ALL MAKE LOVE 363 00:08:24,733 --> 00:08:25,700 OR Y'ALL HAVE SEX? 364 00:08:25,700 --> 00:08:26,433 IF Y'ALL ARE HAVING SEX, 365 00:08:26,433 --> 00:08:27,333 THAT'S A WHOLE DIFFERENT STORY 366 00:08:27,333 --> 00:08:28,133 FROM MAKING-- 367 00:08:28,133 --> 00:08:28,800 WE DO EVERYTHING. 368 00:08:28,800 --> 00:08:29,967 LOVE SEX, DIRTY SEX, 369 00:08:29,967 --> 00:08:31,500 EVERY SEX. 370 00:08:31,500 --> 00:08:32,267 WHEN YOU GOT INTO THE 371 00:08:32,267 --> 00:08:33,433 SITUATION WITH STEVIE, 372 00:08:33,433 --> 00:08:34,900 YOU KNEW THAT HE WAS WITH MIMI? 373 00:08:34,900 --> 00:08:35,600 DID YOU KNOW THAT? 374 00:08:35,600 --> 00:08:36,367 NO. 375 00:08:36,367 --> 00:08:37,133 HE NEVER TOLD ME HE WAS IN 376 00:08:37,133 --> 00:08:38,167 A RELATIONSHIP WITH MIMI. 377 00:08:38,167 --> 00:08:39,133 WELL, LOOKIT, THOUGH. 378 00:08:39,133 --> 00:08:39,900 AT THE END OF THE DAY, 379 00:08:39,900 --> 00:08:40,833 YOU'RE STILL GONNA HAVE TO DEAL 380 00:08:40,833 --> 00:08:41,833 WITH STEVIE, WHETHER IT'S GONNA 381 00:08:41,833 --> 00:08:42,933 BE LOVE, WHETHER IT'S GONNA 382 00:08:42,933 --> 00:08:43,967 BE BUSINESS. 383 00:08:43,967 --> 00:08:46,233 AND I DON'T KNOW IF YOU HAVE 384 00:08:46,233 --> 00:08:47,867 THE MENTAL TO SEPARATE THE TWO. 385 00:08:47,867 --> 00:08:48,800 NO, YOUR HOMEBOY DOESN'T 386 00:08:48,800 --> 00:08:49,600 HAVE IT. 387 00:08:49,600 --> 00:08:50,400 I HAVE IT. 388 00:08:50,400 --> 00:08:51,667 YOU AIN'T GOING NOWHERE. 389 00:08:51,667 --> 00:08:53,633 OH, YOU SOUND LIKE HIM NOW. 390 00:08:53,633 --> 00:08:54,400 STEVIE'S IN LOVE WITH TWO 391 00:08:54,400 --> 00:08:55,833 WOMEN, BUT NEITHER OF THEM 392 00:08:55,833 --> 00:08:57,533 IS REALLY WILLING TO WALK AWAY. 393 00:08:57,533 --> 00:08:58,633 JOSELINE KEEPS SAYING SHE'S 394 00:08:58,633 --> 00:09:00,433 GONNA MOVE ON, BUT COME ON. 395 00:09:00,433 --> 00:09:01,333 WE ALL KNOW THAT SHE AIN'T 396 00:09:01,333 --> 00:09:02,700 GOING NOWHERE. 397 00:09:02,700 --> 00:09:03,433 I JUST DON'T SEE IT. 398 00:09:03,433 --> 00:09:04,400 YOU AIN'T GOT TO SEE IT. 399 00:09:04,400 --> 00:09:05,133 I MEAN, YOU KNOW-- 400 00:09:05,133 --> 00:09:05,900 'CAUSE I DON'T LIKE THAT 401 00:09:05,900 --> 00:09:06,800 [bleep], BECAUSE YOU KNOW WHY? 402 00:09:06,800 --> 00:09:07,467 IT'S NASTY. 403 00:09:07,467 --> 00:09:08,267 I JUST HAD SEX WITH YOU 404 00:09:08,267 --> 00:09:09,133 IN THE ROOM. 405 00:09:09,133 --> 00:09:10,767 WE DON'T USE CONDOMS. 406 00:09:10,767 --> 00:09:11,800 YOU BE LYING TO ME ABOUT 407 00:09:11,800 --> 00:09:13,367 SLEEPING WITH MIMI. 408 00:09:13,367 --> 00:09:14,800 YOU DISGUST ME RIGHT NOW. 409 00:09:14,800 --> 00:09:15,867 BUT YOU LOVE HIM. 410 00:09:15,867 --> 00:09:16,867 HOW DO I THINK IT'S NOT 411 00:09:16,867 --> 00:09:18,600 JUST THE [bleep] IS GOOD? 412 00:09:18,600 --> 00:09:20,900 WELL, THAT IS A TYPE OF LOVE. 413 00:09:20,900 --> 00:09:21,633 WELL, I CAN ALWAYS FIND 414 00:09:21,633 --> 00:09:22,633 SOMEBODY ELSE TO PUT IT DOWN 415 00:09:22,633 --> 00:09:23,300 LIKE THAT. 416 00:09:23,300 --> 00:09:24,367 HE CARES ABOUT BOTH OF Y'ALL, 417 00:09:24,367 --> 00:09:25,633 AND THAT'S JUST HOW IT IS. 418 00:09:25,633 --> 00:09:26,600 YOU NEED TO TALK TO YOUR 419 00:09:26,600 --> 00:09:28,133 HOMIE AND LET HIM KNOW 420 00:09:28,133 --> 00:09:29,600 THAT I NEED MY ANSWERS. 421 00:09:29,600 --> 00:09:30,900 HIM, ME, AND MIMI GONNA HAVE 422 00:09:30,900 --> 00:09:31,667 TO SIT DOWN AGAIN, 423 00:09:31,667 --> 00:09:32,400 AND THAT'S THAT. 424 00:09:32,400 --> 00:09:33,167 I'M TIRED OF DEALING 425 00:09:33,167 --> 00:09:33,900 WITH THIS [bleep]. 426 00:09:33,900 --> 00:09:34,767 BUT THIS TIME AROUND, 427 00:09:34,767 --> 00:09:35,867 IT'S NOT GONNA BE NO PUNCHING, 428 00:09:35,867 --> 00:09:36,700 'CAUSE EVERYTHING IS GONNA BE 429 00:09:36,700 --> 00:09:37,667 ON THE TABLE. 430 00:09:37,667 --> 00:09:38,633 THAT'S THE WHOLE POINT 431 00:09:38,633 --> 00:09:39,600 OF THERAPY, JOSELINE. 432 00:09:39,600 --> 00:09:40,500 TALK TO HIM SO HE CAN 433 00:09:40,500 --> 00:09:41,700 DO IT AGAIN, 'CAUSE YOU KNOW 434 00:09:41,700 --> 00:09:42,800 HE'S A SCARED LITTLE BITCH. 435 00:09:42,800 --> 00:09:43,767 I'M GONE. 436 00:09:43,767 --> 00:09:44,633 I'M TIRED OF TALKING ABOUT 437 00:09:44,633 --> 00:09:45,567 THIS [bleep]. 438 00:09:45,567 --> 00:09:46,933 BUT WHAT ABOUT-- 439 00:09:46,933 --> 00:09:47,900 NO TALK TO HIM, 440 00:09:47,900 --> 00:09:48,800 AND I SEE HIM IN [bleep] 441 00:09:48,800 --> 00:09:51,500 THERAPY IF HE WANT TO TALK. 442 00:09:51,500 --> 00:09:52,367 ALL RIGHTY, THEN. 443 00:09:52,367 --> 00:09:55,367 WELL, AND YOU HAVE A GOOD DAY. 444 00:09:55,367 --> 00:09:56,400 I'M STRESSED OUT WITH IT, 445 00:09:56,400 --> 00:09:57,167 THOUGH. 446 00:09:57,167 --> 00:09:57,933 YOU AIN'T READY FOR 447 00:09:57,933 --> 00:09:58,800 A RELATIONSHIP. 448 00:09:58,800 --> 00:10:00,067 HOW DO PLAYERS PLAY? 449 00:10:00,067 --> 00:10:01,067 ALL DAY, EVERY DAY. 450 00:10:01,067 --> 00:10:01,867 YA HEARD? 451 00:10:01,867 --> 00:10:03,133 HEY. 452 00:10:03,133 --> 00:10:04,367 IN MY PERFECT WORLD, 453 00:10:04,367 --> 00:10:05,067 I COULD GET THEM TO WORK 454 00:10:05,067 --> 00:10:05,967 TOGETHER. 455 00:10:05,967 --> 00:10:07,000 YOU WANT TO LOVE THEM BOTH. 456 00:10:07,000 --> 00:10:08,300 YEAH. 457 00:10:08,300 --> 00:10:09,400 WHAT HAPPENED TO SAYING 458 00:10:09,400 --> 00:10:11,500 I'M SORRY THAT HAPPENED TO YOU! 459 00:10:11,500 --> 00:10:14,167 THAT MAN BEAT MY ASS! 460 00:10:24,600 --> 00:10:25,700 SO YOU KNOW, I'M FITTING 461 00:10:25,700 --> 00:10:26,700 TO GO GET MY WIG SPLIT, 462 00:10:26,700 --> 00:10:28,267 MY HAIR CUT, YOU KNOW. 463 00:10:28,267 --> 00:10:28,933 AT THE SAME TIME, 464 00:10:28,933 --> 00:10:30,433 I TEXT MOMMA DEE, LET HER COME 465 00:10:30,433 --> 00:10:31,800 BY, HOLLER AT ME ABOUT 466 00:10:31,800 --> 00:10:33,233 MY LITTLE FEMALE PROBLEMS. 467 00:10:33,233 --> 00:10:34,500 SHE USUALLY ON POINT WITH IT, 468 00:10:34,500 --> 00:10:35,400 SO I'M TRYING TO SEE 469 00:10:35,400 --> 00:10:36,367 WHAT SHE FEEL ABOUT IT. 470 00:10:36,367 --> 00:10:38,067 I HAD A LITTLE CONVERSATION 471 00:10:38,067 --> 00:10:39,667 WITH ERICA, 472 00:10:39,667 --> 00:10:43,133 YOUR WAS-TO-BE DAUGHTER-IN-LAW, 473 00:10:43,133 --> 00:10:45,567 AND ME AND HER HAD A 474 00:10:45,567 --> 00:10:46,867 CONVERSATION ABOUT TRYING 475 00:10:46,867 --> 00:10:48,067 TO MAKE IT WORK OR GET BACK 476 00:10:48,067 --> 00:10:48,933 TOGETHER, YOU KNOW WHAT I'M 477 00:10:48,933 --> 00:10:49,600 SAYING? 478 00:10:49,600 --> 00:10:50,533 NO, DEAR, YOU DIDN'T. 479 00:10:50,533 --> 00:10:52,133 WELL, THAT'S MY BABY MAMA. 480 00:10:52,133 --> 00:10:53,200 I GOT A KID WITH HER. 481 00:10:53,200 --> 00:10:54,067 GUESS WHAT, I GOT A KID 482 00:10:54,067 --> 00:10:55,267 BY YOUR DADDY, BUT WHEN IT WAS 483 00:10:55,267 --> 00:10:56,067 OVER, IT WAS OVER. 484 00:10:56,067 --> 00:10:57,200 LISTEN, YOU AND MY DADDY, 485 00:10:57,200 --> 00:10:58,967 Y'ALL ARE TWO DIFFERENT PEOPLE. 486 00:10:58,967 --> 00:11:00,933 AND SO ARE YOU AND ERICA. 487 00:11:00,933 --> 00:11:02,133 WOW. 488 00:11:02,133 --> 00:11:04,067 YOU TELL ME WHAT MAMA 489 00:11:04,067 --> 00:11:05,967 WALKING AROUND GONNA APPRECIATE 490 00:11:05,967 --> 00:11:07,133 A WOMAN THAT WALK OFF 491 00:11:07,133 --> 00:11:08,133 FROM HER CHILD WHEN HER CHILD 492 00:11:08,133 --> 00:11:08,900 ALL MESSED UP? 493 00:11:08,900 --> 00:11:10,067 YOU REALLY THINK I'M FEELING 494 00:11:10,067 --> 00:11:11,133 THAT BITCH? 495 00:11:11,133 --> 00:11:12,600 MA, DON'T CALL HER NO BITCH. 496 00:11:12,600 --> 00:11:13,867 I MEAN, IT'S EMANI MAMA. 497 00:11:13,867 --> 00:11:14,833 ALL RIGHT. 498 00:11:14,833 --> 00:11:16,767 HE GONNA TELL ME HE DONE 499 00:11:16,767 --> 00:11:19,067 DIPPED BACK IN THE DIP SACK 500 00:11:19,067 --> 00:11:21,133 SAYING HE TRIED TO GIVE HER 501 00:11:21,133 --> 00:11:22,567 ANOTHER CHANCE? 502 00:11:22,567 --> 00:11:24,467 HE NEEDS TO GET A NEW PIECE 503 00:11:24,467 --> 00:11:27,300 OF A-S-S AND MOVE ON. 504 00:11:27,300 --> 00:11:30,233 AND, YES, SHE IS A BITCH. 505 00:11:30,233 --> 00:11:34,233 B-I-C-T-H. 506 00:11:34,233 --> 00:11:36,067 AND IN THAT ORDER. 507 00:11:36,067 --> 00:11:37,233 HMM. 508 00:11:37,233 --> 00:11:38,233 THEN YOU GOT MY-- 509 00:11:38,233 --> 00:11:39,533 YOU KNOW, MY BEST FRIEND, 510 00:11:39,533 --> 00:11:41,067 YOU KNOW, WHICH... 511 00:11:41,067 --> 00:11:41,900 OH, YEAH, SHAY. 512 00:11:41,900 --> 00:11:42,900 I WANT TO BE LIKE HOW 513 00:11:42,900 --> 00:11:43,600 I USED TO BE. 514 00:11:43,600 --> 00:11:44,433 YOU KNOW HOW I WAS 515 00:11:44,433 --> 00:11:45,100 WITH DIAMOND? 516 00:11:45,100 --> 00:11:46,167 LIKE, I WAS LIKE-- 517 00:11:46,167 --> 00:11:47,533 BUT WHEN THAT [bleep] HAPPENED, 518 00:11:47,533 --> 00:11:48,600 IT'S LIKE, I'M NOT EVEN 519 00:11:48,600 --> 00:11:49,533 A GOOD JUDGE OF CHARACTER, 520 00:11:49,533 --> 00:11:50,333 YOU FEEL ME? 521 00:11:50,333 --> 00:11:51,833 NOT RIGHT NOW. 522 00:11:51,833 --> 00:11:53,567 I DON'T KNOW WHAT'S GIRLFRIEND 523 00:11:53,567 --> 00:11:54,433 MATERIAL. 524 00:11:54,433 --> 00:11:55,267 MM-HMM. 525 00:11:55,267 --> 00:11:56,067 WHEN I GET WITH A GIRL, 526 00:11:56,067 --> 00:11:57,400 I DON'T GOT THAT EXTRA OOMPH 527 00:11:57,400 --> 00:11:58,067 THAT MAKE ME FEEL LIKE, 528 00:11:58,067 --> 00:11:59,500 "OH, BABY, YOU KNOW..." 529 00:11:59,500 --> 00:12:01,133 WOW. 530 00:12:01,133 --> 00:12:01,900 I'M STRESSED OUT WITH IT, 531 00:12:01,900 --> 00:12:02,733 THOUGH. 532 00:12:02,733 --> 00:12:03,433 YOU AIN'T READY FOR A 533 00:12:03,433 --> 00:12:04,133 RELATIONSHIP. 534 00:12:04,133 --> 00:12:05,133 BUT KEEP IT REAL WITH THEM. 535 00:12:05,133 --> 00:12:06,500 LET THEM COME IN AND OUT. 536 00:12:06,500 --> 00:12:07,233 AND LET THEM KNOW 537 00:12:07,233 --> 00:12:09,667 YOU ON THE IN AND YOU OUT. 538 00:12:10,867 --> 00:12:11,867 DO WHAT PLAYERS DO. 539 00:12:11,867 --> 00:12:12,967 HOW DO PLAYERS PLAY? 540 00:12:12,967 --> 00:12:13,933 ALL DAY, EVERY DAY. 541 00:12:13,933 --> 00:12:14,700 YA HEARD? 542 00:12:14,700 --> 00:12:15,933 THAT'S WHY I LOVE MY MAMA, 543 00:12:15,933 --> 00:12:17,167 BUT I DON'T KNOW. 544 00:12:17,167 --> 00:12:18,333 LIKE, SHE JUST WANT ME TO BE 545 00:12:18,333 --> 00:12:19,600 ON SOME [bleep] TYPE STUFF, 546 00:12:19,600 --> 00:12:20,467 YOU KNOW WHAT I'M SAYING, 547 00:12:20,467 --> 00:12:21,833 SOME PLAYER TYPE STUFF. 548 00:12:21,833 --> 00:12:22,733 AND I AIN'T TRYING TO HURT 549 00:12:22,733 --> 00:12:23,967 ERICA, YOU KNOW WHAT I'M SAYING? 550 00:12:23,967 --> 00:12:24,800 I LOVE HER. 551 00:12:24,800 --> 00:12:25,667 AND SURE AS HELL AIN'T TRYING 552 00:12:25,667 --> 00:12:26,433 TO HURT SHAY. 553 00:12:26,433 --> 00:12:27,300 THAT'S THE HOMIE. 554 00:12:27,300 --> 00:12:28,267 I'M GONNA PUT AN 555 00:12:28,267 --> 00:12:29,500 ALL-POINT BULLETIN OUT. 556 00:12:29,500 --> 00:12:31,400 SCRAPPY READY TO DATE. 557 00:12:31,400 --> 00:12:32,133 [scoffs] 558 00:12:32,133 --> 00:12:33,200 HE'LL BE GOOD. 559 00:12:33,200 --> 00:12:34,567 HE'S IN GOOD HANDS, 560 00:12:34,567 --> 00:12:35,467 AND I'M NOT TALKING ABOUT 561 00:12:35,467 --> 00:12:36,600 ALL-STATE. 562 00:12:36,600 --> 00:12:38,833 I'M NOT NODDING ON MY WATCH. 563 00:12:38,833 --> 00:12:40,933 YA HEARD ME? 564 00:12:40,933 --> 00:12:42,067 I'M GONNA GET OUT OF HERE. 565 00:12:42,067 --> 00:12:42,767 ALL RIGHT. 566 00:12:42,767 --> 00:12:44,067 I KNOW HOW TO FIND YOUR ASS. 567 00:12:44,067 --> 00:12:44,767 YEAH, SEE YOU. 568 00:12:44,767 --> 00:12:45,567 I LOVE YOU SO. 569 00:12:45,567 --> 00:12:47,900 I LOVE YOU, TOO, MAMA. 570 00:12:47,900 --> 00:12:49,333 HOLLA AT YA [bleep]. 571 00:12:49,333 --> 00:12:50,400 BYE, BABY. 572 00:12:50,400 --> 00:12:53,067 BYE. 573 00:12:57,100 --> 00:12:58,967 SO MY GIRL ERICA HIT ME UP 574 00:12:58,967 --> 00:12:59,667 SO WE COULD MEET UP, 575 00:12:59,667 --> 00:13:00,800 DO A LITTLE SHOPPING, 576 00:13:00,800 --> 00:13:02,533 AND VENT ABOUT THESE CRAZY MEN 577 00:13:02,533 --> 00:13:03,867 THAT WE HAVE IN OUR LIVES. 578 00:13:03,867 --> 00:13:05,200 I MIGHT NEED A LITTLE ADVICE 579 00:13:05,200 --> 00:13:06,233 ANYWAY. 580 00:13:06,233 --> 00:13:07,133 SO GIRL, WHAT'S BEEN GOING 581 00:13:07,133 --> 00:13:07,867 ON? 582 00:13:07,867 --> 00:13:09,567 OH, DEALING WITH SCRAPPY'S 583 00:13:09,567 --> 00:13:10,667 MAGGOT ASS. 584 00:13:10,667 --> 00:13:12,867 I TALKED TO K, AND K TELLS ME 585 00:13:12,867 --> 00:13:13,967 HE SHOWS UP TO HIS MIX TAPE 586 00:13:13,967 --> 00:13:15,300 RELEASE PARTY WITH SHAY. 587 00:13:15,300 --> 00:13:17,333 I MEET UP AND TALK TO HIM, 588 00:13:17,333 --> 00:13:18,333 AND HE JUST LIKE, "OH, 589 00:13:18,333 --> 00:13:20,067 WE FRIENDS," AND, "YOU KNOW 590 00:13:20,067 --> 00:13:21,133 I LOVE YOU, AND I HAVE TO 591 00:13:21,133 --> 00:13:22,133 CONTINUE TO TELL HER WE 592 00:13:22,133 --> 00:13:22,800 FRIENDS." 593 00:13:22,800 --> 00:13:23,933 WELL, IF THE BITCH A FRIEND, 594 00:13:23,933 --> 00:13:24,767 WHY DO YOU HAVE TO CONTINUE 595 00:13:24,767 --> 00:13:25,700 TO TELL HER YOU FRIENDS, 596 00:13:25,700 --> 00:13:26,433 FIRST OF ALL? 597 00:13:26,433 --> 00:13:27,800 I THINK HE'S [bleep] LYING. 598 00:13:27,800 --> 00:13:28,467 MM-HMM. 599 00:13:28,467 --> 00:13:29,567 OH, I KNOW THAT HE LYING. 600 00:13:29,567 --> 00:13:31,133 LIKE, YOU NOT FOOLING ME. 601 00:13:31,133 --> 00:13:32,267 YOU FOOLING YOUR DAMN SELF. 602 00:13:32,267 --> 00:13:33,133 RIGHT, MM-HMM. 603 00:13:33,133 --> 00:13:34,667 SO GO DO WHAT YOU WANT TO DO, 604 00:13:34,667 --> 00:13:35,600 AND I'MA DEFINITELY DO 605 00:13:35,600 --> 00:13:36,267 WHAT I WANT TO DO. 606 00:13:36,267 --> 00:13:37,233 I'M GONNA BE HAPPY, 607 00:13:37,233 --> 00:13:38,400 AND THAT'S WITHOUT YOU. 608 00:13:38,400 --> 00:13:39,367 THE MORE I THINK ABOUT MY 609 00:13:39,367 --> 00:13:41,700 RELATIONSHIP WITH SCRAPPY, 610 00:13:41,700 --> 00:13:42,600 THE MORE I THINK IT NEEDS 611 00:13:42,600 --> 00:13:43,867 TO END. 612 00:13:43,867 --> 00:13:45,467 WE BOTH WERE MAYBE HOPING 613 00:13:45,467 --> 00:13:46,667 FOR SOMETHING TO WORK OUT 614 00:13:46,667 --> 00:13:47,767 IN A RELATIONSHIP, 615 00:13:47,767 --> 00:13:49,067 BUT WE'RE HOLDING ON 616 00:13:49,067 --> 00:13:50,233 TO SOMETHING THAT'S JUST NOT 617 00:13:50,233 --> 00:13:51,500 GONNA WORK OUT. 618 00:13:51,500 --> 00:13:52,333 I HAD TO REALIZE THAT HE'S 619 00:13:52,333 --> 00:13:53,267 STILL A LITTLE BOY, 620 00:13:53,267 --> 00:13:54,067 SO HE STILL HAS A LOT 621 00:13:54,067 --> 00:13:55,067 OF GROWTH TO DO. 622 00:13:55,067 --> 00:13:55,767 RIGHT. 623 00:13:55,767 --> 00:13:56,533 AND THAT JUST COMES 624 00:13:56,533 --> 00:13:57,267 WITH MOMMA DEE, 625 00:13:57,267 --> 00:13:58,500 BUT ULTIMATELY HE'S GONNA END UP 626 00:13:58,500 --> 00:13:59,233 LIKE HER. 627 00:13:59,233 --> 00:14:00,533 HE'S GONNA BE 50 YEARS OLD, 628 00:14:00,533 --> 00:14:02,133 MISERABLE, YOU KNOW, 629 00:14:02,133 --> 00:14:03,667 WITH ONE FEMALE THIS WEEK 630 00:14:03,667 --> 00:14:04,467 AND THE NEXT WEEK. 631 00:14:04,467 --> 00:14:05,233 I MEAN, LIKE, MOMMA DEE, 632 00:14:05,233 --> 00:14:06,400 DIFFERENT DUDE EVERY WEEK 633 00:14:06,400 --> 00:14:07,600 BECAUSE SOMEONE HAS TO FILL 634 00:14:07,600 --> 00:14:08,333 THAT VOID. 635 00:14:08,333 --> 00:14:09,200 AND I THINK HE'S GONNA BE JUST 636 00:14:09,200 --> 00:14:10,067 LIKE HER 'CAUSE IT'S ALL 637 00:14:10,067 --> 00:14:10,800 HE'S SEEN. 638 00:14:10,800 --> 00:14:11,467 RIGHT. 639 00:14:11,467 --> 00:14:13,133 WELL, YOU KNOW, 640 00:14:13,133 --> 00:14:14,133 IT IS WHAT IT IS. 641 00:14:14,133 --> 00:14:15,233 BUT ENOUGH ABOUT ME, 642 00:14:15,233 --> 00:14:17,067 WHAT'S WRONG WITH YOU, HONEY? 643 00:14:17,067 --> 00:14:18,200 LISTEN. 644 00:14:18,200 --> 00:14:19,200 EVER SINCE KIRK AND I 645 00:14:19,200 --> 00:14:20,367 WENT AND MET WITH DEB, 646 00:14:20,367 --> 00:14:21,933 I'VE BEEN STRUGGLING ON WHAT 647 00:14:21,933 --> 00:14:22,600 TO DO. 648 00:14:22,600 --> 00:14:23,967 I KNOW I HURT HIM. 649 00:14:23,967 --> 00:14:25,200 I WASN'T INTENDING ON HURTING 650 00:14:25,200 --> 00:14:26,500 HIM, AND RIGHT NOW I'M JUST 651 00:14:26,500 --> 00:14:27,333 STUCK. 652 00:14:27,333 --> 00:14:28,167 TO BE HONEST WITH YOU, 653 00:14:28,167 --> 00:14:29,367 I FELT LIKE [bleep]. 654 00:14:29,367 --> 00:14:31,133 WE ARGUE ABOUT MUSIC. 655 00:14:31,133 --> 00:14:31,933 THAT [bleep] TRICKLES 656 00:14:31,933 --> 00:14:32,767 TO THE BEDROOM. 657 00:14:32,767 --> 00:14:34,067 WE AIN'T TALKING. 658 00:14:34,067 --> 00:14:35,100 [bleep] BE GOING DOWN. 659 00:14:35,100 --> 00:14:35,967 AND IT'S JUST, LIKE 660 00:14:35,967 --> 00:14:37,433 IT'S AFFECTING EVERYTHING, 661 00:14:37,433 --> 00:14:38,567 YOU KNOW? 662 00:14:38,567 --> 00:14:40,533 BUT THEN I'M TORN AGAIN 663 00:14:40,533 --> 00:14:41,633 BECAUSE I'M LIKE, 664 00:14:41,633 --> 00:14:43,800 WELL, WHAT ABOUT THE CAREER 665 00:14:43,800 --> 00:14:48,667 THAT PUTS MONEY ON THE TABLE? 666 00:14:48,667 --> 00:14:49,633 WHAT--WHAT THE HELL AM I 667 00:14:49,633 --> 00:14:52,600 GONNA DO? 668 00:14:52,600 --> 00:14:53,333 YOU BETTER PICK YOU 669 00:14:53,333 --> 00:14:54,167 SOMETHING. 670 00:14:54,167 --> 00:14:54,933 [snickers] 671 00:14:54,933 --> 00:14:56,833 OUT HERE, GO HOME, 672 00:14:56,833 --> 00:14:58,333 MAKE IT DO WHAT IT DO, 673 00:14:58,333 --> 00:15:01,133 AND Y'ALL NEED TO JUST HASH IT 674 00:15:01,133 --> 00:15:02,133 ALL OUT. 675 00:15:02,133 --> 00:15:03,633 I'M WILLING TO GIVE IT A TRY, 676 00:15:03,633 --> 00:15:04,667 BUT I'M GONNA HAVE TO TALK 677 00:15:04,667 --> 00:15:05,600 TO HIM ABOUT IT, 'CAUSE I'M 678 00:15:05,600 --> 00:15:06,800 LIKE, YOU KNOW, WE GONNA HAVE 679 00:15:06,800 --> 00:15:08,933 TO MAKE A DECISION. 680 00:15:08,933 --> 00:15:09,733 JESUS. 681 00:15:09,733 --> 00:15:10,467 COME THIS WAY. 682 00:15:10,467 --> 00:15:11,533 I WAS LOOKING AT THIS. 683 00:15:11,533 --> 00:15:12,800 OHO, GIRL, NOW, I-- 684 00:15:12,800 --> 00:15:13,900 HONEY, WITH THESE LITTLE THINGS 685 00:15:13,900 --> 00:15:14,700 HERE? 686 00:15:14,700 --> 00:15:15,400 IT'S OKAY. 687 00:15:15,400 --> 00:15:17,867 IT'S QUITE ALL RIGHT. 688 00:15:22,733 --> 00:15:24,133 SO AFTER KARLIE TOLD ME 689 00:15:24,133 --> 00:15:25,400 THAT SHE DID MAKE A CHOICE 690 00:15:25,400 --> 00:15:27,200 AND SHE WAS GONNA ROCK WITH ME, 691 00:15:27,200 --> 00:15:28,133 YOU KNOW, I DECIDED TO TAKE HER 692 00:15:28,133 --> 00:15:29,333 SOMEWHERE NICE AND JUST TO GET 693 00:15:29,333 --> 00:15:30,633 AWAY, LIKE, FORGET ABOUT 694 00:15:30,633 --> 00:15:31,633 THE WHOLE CAREER THING 695 00:15:31,633 --> 00:15:33,133 AND JUST SIT DOWN AND KICK IT. 696 00:15:33,133 --> 00:15:33,867 SO I WANT TO GET SOME 697 00:15:33,867 --> 00:15:35,067 SANGRIA. 698 00:15:35,067 --> 00:15:36,267 SANGRIA? YOU LIKE SANGRIA? 699 00:15:36,267 --> 00:15:37,067 I LOVE SANGRIA. 700 00:15:37,067 --> 00:15:37,767 REALLY? 701 00:15:37,767 --> 00:15:38,433 YEAH. 702 00:15:38,433 --> 00:15:39,267 DOES SOMETHING TO ME? 703 00:15:39,267 --> 00:15:40,733 MAKES YOU HORNY? 704 00:15:40,733 --> 00:15:41,567 [laughter] 705 00:15:41,567 --> 00:15:42,667 HOW DID YOU KNOW? 706 00:15:42,667 --> 00:15:43,433 FOR REAL? 707 00:15:43,433 --> 00:15:44,233 IT DOES. 708 00:15:44,233 --> 00:15:45,267 OH, WE GOT TO GET GALLONS 709 00:15:45,267 --> 00:15:46,133 OF THAT, THEN. 710 00:15:46,133 --> 00:15:47,333 [chuckles] 711 00:15:47,333 --> 00:15:48,200 SO YOU REALLY LIKE 712 00:15:48,200 --> 00:15:49,133 THE PHOTO SHOOT? 713 00:15:49,133 --> 00:15:50,433 YEAH, YEP. 714 00:15:50,433 --> 00:15:51,400 THANK YOU FOR HOOKING THAT UP 715 00:15:51,400 --> 00:15:52,533 FOR ME, BABE. 716 00:15:52,533 --> 00:15:53,567 AND THEN ESPECIALLY VINCE. 717 00:15:53,567 --> 00:15:54,833 YOU KNOW, I KIND OF, LIKE, 718 00:15:54,833 --> 00:15:56,300 WANT TO FOLLOW YOUR LEAD. 719 00:15:56,300 --> 00:15:57,367 YOU'RE MY MAN. 720 00:15:57,367 --> 00:15:58,567 OH, YOU DO? WORD? 721 00:15:58,567 --> 00:15:59,233 YEAH. 722 00:15:59,233 --> 00:16:00,067 OKAY. 723 00:16:00,067 --> 00:16:01,167 'CAUSE SOMETIMES I FEEL LIKE 724 00:16:01,167 --> 00:16:03,133 EVERYTHING REVOLVES 725 00:16:03,133 --> 00:16:04,067 AROUND KARLIE RED AND HER 726 00:16:04,067 --> 00:16:04,667 CAREER. 727 00:16:04,667 --> 00:16:05,333 I DON'T SUPPORT YOU 728 00:16:05,333 --> 00:16:06,133 WITH YOUR CAREER? 729 00:16:06,133 --> 00:16:07,233 EVERYTHING'S BEEN REVOLVED 730 00:16:07,233 --> 00:16:08,267 AROUND YOU SINCE WE'VE MET. 731 00:16:08,267 --> 00:16:09,133 I DON'T FEEL LIKE IT IS. 732 00:16:09,133 --> 00:16:10,133 I FEEL LIKE IT'S REALLY ABOUT 733 00:16:10,133 --> 00:16:11,400 YOUR EGO. 734 00:16:11,400 --> 00:16:12,733 MY EGO? 735 00:16:12,733 --> 00:16:13,833 HELL, YEAH. 736 00:16:13,833 --> 00:16:15,333 BENZINO BEEN ACTING REALLY WEIRD 737 00:16:15,333 --> 00:16:16,367 LATELY. 738 00:16:16,367 --> 00:16:17,133 I DON'T THINK HE GOT OVER 739 00:16:17,133 --> 00:16:20,200 MY MANAGER CALLING HIM COLD. 740 00:16:20,200 --> 00:16:21,567 IT'S NOTHING I CAN DO ABOUT IT. 741 00:16:21,567 --> 00:16:22,433 LET'S JUST FORGET ABOUT ALL 742 00:16:22,433 --> 00:16:23,133 THAT. 743 00:16:23,133 --> 00:16:23,833 YOU KNOW, THAT'S NOT WHY 744 00:16:23,833 --> 00:16:24,533 I BROUGHT YOU HERE. 745 00:16:24,533 --> 00:16:25,767 BABY, MY CAREER MEANS 746 00:16:25,767 --> 00:16:27,067 SO MUCH TO ME. 747 00:16:27,067 --> 00:16:28,567 I'VE WORKED SO HARD FOR IT, 748 00:16:28,567 --> 00:16:29,467 AND I DON'T WANT YOU TO FEEL-- 749 00:16:29,467 --> 00:16:31,267 WE KNOW YOUR CAREER 750 00:16:31,267 --> 00:16:33,700 IS IMPORTANT TO YOU. 751 00:16:33,700 --> 00:16:34,567 OKAY. 752 00:16:34,567 --> 00:16:35,400 AS LONG AS YOU KNEW THAT 753 00:16:35,400 --> 00:16:36,633 FROM THE BEGINNING... 754 00:16:36,633 --> 00:16:39,800 YOU EAT, DRINK, SLEEP, TEXT, 755 00:16:39,800 --> 00:16:41,067 AND [bleep] CAREER. 756 00:16:41,067 --> 00:16:42,333 WOW, THE ONE GIRL WHO'S 757 00:16:42,333 --> 00:16:43,833 REALLY FOCUSED, 758 00:16:43,833 --> 00:16:46,833 LIKE, THAT'S REALLY A BAD THING. 759 00:16:46,833 --> 00:16:48,067 I LOVE KARLIE, 760 00:16:48,067 --> 00:16:49,167 BUT IT SEEMS LIKE SHE CAN'T 761 00:16:49,167 --> 00:16:50,333 TALK ABOUT NOTHING OTHER THAN 762 00:16:50,333 --> 00:16:51,467 HER CAREER. 763 00:16:51,467 --> 00:16:52,500 I MEAN, THIS IS THE GIRL 764 00:16:52,500 --> 00:16:53,167 THAT I WANT TO SPEND 765 00:16:53,167 --> 00:16:54,467 THE REST OF MY LIFE WITH. 766 00:16:54,467 --> 00:16:55,967 YOU KNOW THAT RING I BOUGHT? 767 00:16:55,967 --> 00:16:56,933 IT'S STARTING TO FEEL REAL 768 00:16:56,933 --> 00:16:58,800 HEAVY IN MY POCKET RIGHT NOW. 769 00:16:58,800 --> 00:16:59,567 YOU JUST WANT TO GET 770 00:16:59,567 --> 00:17:02,833 ME HOME AND ME BE BAREFOOT 771 00:17:02,833 --> 00:17:03,700 AND PREGNANT. 772 00:17:03,700 --> 00:17:04,767 IS THAT WHAT YOU WANT? 773 00:17:04,767 --> 00:17:06,067 NOT NECESSARILY PREGNANT. 774 00:17:06,067 --> 00:17:07,567 BAREFOOT, BUTT NAKED. 775 00:17:07,567 --> 00:17:08,533 [laughs] 776 00:17:08,533 --> 00:17:09,300 I'M JUST SAYING DON'T 777 00:17:09,300 --> 00:17:10,167 EVERYTHING GOT TO BE-- 778 00:17:10,167 --> 00:17:11,667 SO WHEN I GO TO THE STUDIO-- 779 00:17:11,667 --> 00:17:12,867 OH, MAN, FORGET ABOUT 780 00:17:12,867 --> 00:17:14,467 THE STUDIO AND STUFF FOR ONE 781 00:17:14,467 --> 00:17:15,167 SECOND. 782 00:17:15,167 --> 00:17:16,300 I DON'T CARE ABOUT THAT. 783 00:17:16,300 --> 00:17:17,200 LIKE, I DON'T EVEN WANT 784 00:17:17,200 --> 00:17:18,133 TO TALK ABOUT THAT. 785 00:17:18,133 --> 00:17:20,367 LIKE, STOP, PLEASE. 786 00:17:20,367 --> 00:17:21,267 LET'S MAKE A PACT. 787 00:17:21,267 --> 00:17:23,167 THE REST OF THIS CONVERSATION, 788 00:17:23,167 --> 00:17:24,867 WE DON'T TALK NOTHING ABOUT 789 00:17:24,867 --> 00:17:26,167 MUSIC INDUSTRY, NOTHING. 790 00:17:26,167 --> 00:17:27,733 YOU THINK WE COULD DO THAT? 791 00:17:27,733 --> 00:17:28,467 YOU THINK WE COULD HAVE A 792 00:17:28,467 --> 00:17:29,367 CONVERSATION? 793 00:17:29,367 --> 00:17:31,167 WE'LL START IT OUT 794 00:17:31,167 --> 00:17:33,367 WITH ME SAYING THAT I LOVE YOU. 795 00:17:33,367 --> 00:17:34,100 AW. 796 00:17:34,100 --> 00:17:36,100 TOAST TO THAT. 797 00:17:36,100 --> 00:17:37,433 I DON'T WANT TO EVER 798 00:17:37,433 --> 00:17:39,567 MAKE YOU FEEL LIKE YOU EVER 799 00:17:39,567 --> 00:17:41,767 HAVE TO QUESTION MY LOVE 800 00:17:41,767 --> 00:17:43,100 FOR YOU. 801 00:17:43,100 --> 00:17:44,567 I DON'T WANT TO DO THAT. 802 00:17:44,567 --> 00:17:45,633 I GOT TO DEAL WITH MY 803 00:17:45,633 --> 00:17:46,733 MANAGERS. 804 00:17:46,733 --> 00:17:47,700 THEY'RE TELLING ME, LIKE, 805 00:17:47,700 --> 00:17:49,333 DON'T [bleep] WITH BENZINO. 806 00:17:49,333 --> 00:17:51,900 THEY ARE, LIKE, GOING IN ON ME. 807 00:17:51,900 --> 00:17:52,767 THAT'S WHY I LIKE TO COME 808 00:17:52,767 --> 00:17:54,133 HERE, BECAUSE, YOU KNOW, 809 00:17:54,133 --> 00:17:55,400 I'M TRYING TO LOOK FOR LOVE. 810 00:17:55,400 --> 00:17:56,133 THIS DON'T HELP IT NONE, 811 00:17:56,133 --> 00:17:58,500 YOU KNOW WHAT I'M SAYING? 812 00:17:58,500 --> 00:18:00,767 MEAN. 813 00:18:06,700 --> 00:18:08,333 THAT'S CRAZY. 814 00:18:08,333 --> 00:18:10,533 I'M SCARED OF HEIGHTS. 815 00:18:10,533 --> 00:18:12,700 JOSELINE CRAZY ASS INVITES ME 816 00:18:12,700 --> 00:18:14,133 TO GO ROCK CLIMBING. 817 00:18:14,133 --> 00:18:15,667 I'M NOT USED TO THAT [bleep]. 818 00:18:15,667 --> 00:18:17,600 * I TRY TO MAKE YOU HAPPY 819 00:18:17,600 --> 00:18:19,633 ♪ I TRY TO MAKE YOU SMILE 820 00:18:19,633 --> 00:18:21,867 ♪ I TRY TO MAKE YOU LAUGH 821 00:18:21,867 --> 00:18:23,767 WOW. 822 00:18:23,767 --> 00:18:24,700 YAY! 823 00:18:24,700 --> 00:18:26,067 OH, MY GOSH! 824 00:18:26,067 --> 00:18:27,667 YES, BABY. 825 00:18:27,667 --> 00:18:28,467 GOOD WORK. 826 00:18:28,467 --> 00:18:29,400 WE'VE BEEN GETTING ALONG 827 00:18:29,400 --> 00:18:30,800 A LITTLE BETTER SINCE WE PUT 828 00:18:30,800 --> 00:18:31,867 ALL THE "HE SAY, SHE SAY" 829 00:18:31,867 --> 00:18:32,767 BEHIND US. 830 00:18:32,767 --> 00:18:33,633 PLUS WE'VE BEEN SEEING EACH 831 00:18:33,633 --> 00:18:35,333 OTHER A LOT SINCE STEVIE J 832 00:18:35,333 --> 00:18:38,200 IS STAYING OVER AT BENZINO'S. 833 00:18:38,200 --> 00:18:39,967 OMG! 834 00:18:39,967 --> 00:18:40,933 YOU GOT A BIG PINK ONE 835 00:18:40,933 --> 00:18:42,267 RIGHT IN BETWEEN YOUR CROTCH. 836 00:18:42,267 --> 00:18:43,567 IT'S A PINK ONE. 837 00:18:43,567 --> 00:18:45,533 OH, MY GOD. 838 00:18:45,533 --> 00:18:46,700 GET ME DOWN. 839 00:18:46,700 --> 00:18:47,433 JUST GET ME DOWN. 840 00:18:47,433 --> 00:18:48,133 YOU GOT TO PUT YOUR FEET 841 00:18:48,133 --> 00:18:48,800 ON THE WALL. 842 00:18:48,800 --> 00:18:49,567 DON'T ACT LIKE YOU NEVER DID 843 00:18:49,567 --> 00:18:52,200 THAT BEFORE, NOW. 844 00:18:52,200 --> 00:18:53,133 AH. 845 00:18:53,133 --> 00:18:54,500 STEVIE ASKED ME 846 00:18:54,500 --> 00:18:55,867 DID I WANT TO DO A COUNSELING 847 00:18:55,867 --> 00:18:57,667 WITH HIM AND, YOU KNOW, MIMI. 848 00:18:57,667 --> 00:18:59,633 ANYWAY, I AGREED TO GO. 849 00:18:59,633 --> 00:19:01,133 [bleep] WAS YOU THINKING? 850 00:19:01,133 --> 00:19:01,900 I WASN'T THINKING, 851 00:19:01,900 --> 00:19:02,667 BECAUSE IF I WOULD HAVE BEEN 852 00:19:02,667 --> 00:19:03,833 THINKING, I KNEW I WAS GONNA 853 00:19:03,833 --> 00:19:05,367 FLIP OUT, 'CAUSE I ENDED UP 854 00:19:05,367 --> 00:19:06,933 FLIPPING OUT. 855 00:19:06,933 --> 00:19:07,967 I JUST HIT HIM RIGHT IN HIS 856 00:19:07,967 --> 00:19:08,800 FACE. 857 00:19:08,800 --> 00:19:10,800 I HIT HIM RIGHT IN HIS [bleep]. 858 00:19:10,800 --> 00:19:11,533 JOSELINE. 859 00:19:11,533 --> 00:19:13,200 BUT, BITCH, I WANT TO GO BACK 860 00:19:13,200 --> 00:19:14,200 'CAUSE I NEED HIM TO TELL 861 00:19:14,200 --> 00:19:15,333 HOW HE REALLY FEELS, 862 00:19:15,333 --> 00:19:16,367 PUT IT ON THE TABLE. 863 00:19:16,367 --> 00:19:17,533 SO I'M GONNA GO BACK. 864 00:19:17,533 --> 00:19:18,333 SO WHAT MADE YOU PUNCH HIM 865 00:19:18,333 --> 00:19:19,133 IN THE FACE? 866 00:19:19,133 --> 00:19:19,967 'CAUSE HE LIED. 867 00:19:19,967 --> 00:19:21,067 MIMI SAID SHE WAS STAYING 868 00:19:21,067 --> 00:19:23,167 AT STEVIE'S HOUSE WITH STEVIE, 869 00:19:23,167 --> 00:19:24,133 BUT I'M LIKE, HOW ARE YOU 870 00:19:24,133 --> 00:19:25,067 STAYING WITH STEVIE, 871 00:19:25,067 --> 00:19:25,800 BUT ME AND STEVIE WENT 872 00:19:25,800 --> 00:19:26,833 TO BENZINO HOUSE. 873 00:19:26,833 --> 00:19:27,767 BUT I GUESS HE WAS JUST TRYING 874 00:19:27,767 --> 00:19:28,700 TO PLAY THE BOTH OF US. 875 00:19:28,700 --> 00:19:29,567 YOU KNOW, HE GOT HER 876 00:19:29,567 --> 00:19:30,400 AT THE HOUSE, AND THEN HE HAD 877 00:19:30,400 --> 00:19:31,233 ME AT BENZINO HOUSE. 878 00:19:31,233 --> 00:19:32,500 THAT'S WHEN I SEEN YOUR STUFF. 879 00:19:32,500 --> 00:19:33,333 AND I WAS LIKE, "WHERE'S 880 00:19:33,333 --> 00:19:34,067 KARLIE?" 881 00:19:34,067 --> 00:19:34,700 AND HE WAS LIKE-- 882 00:19:34,700 --> 00:19:35,567 HE DIDN'T TELL ME ANYTHING. 883 00:19:35,567 --> 00:19:37,267 I WAS LIKE, OKAY, WHATEVER. 884 00:19:37,267 --> 00:19:38,300 SO WHAT HAPPENED? 885 00:19:38,300 --> 00:19:39,067 WHERE THE HELL YOU WAS AT? 886 00:19:39,067 --> 00:19:39,967 I WAS THERE FOR THREE DAYS. 887 00:19:39,967 --> 00:19:40,933 WHERE YOU WAS AT? 888 00:19:40,933 --> 00:19:43,067 GIRL, THAT'S A WHOLE 889 00:19:43,067 --> 00:19:44,867 NOTHER BALLGAME RIGHT THERE. 890 00:19:44,867 --> 00:19:45,700 I KNEW SOMETHING WAS GOING 891 00:19:45,700 --> 00:19:46,900 ON WITH BENZINO AND KARLIE 892 00:19:46,900 --> 00:19:47,733 'CAUSE THEY'VE BEEN SMASHING 893 00:19:47,733 --> 00:19:49,067 OVER THERE FOR THE PAST THREE 894 00:19:49,067 --> 00:19:49,833 WEEKS SINCE I'VE BEEN OVER 895 00:19:49,833 --> 00:19:50,500 THERE. 896 00:19:50,500 --> 00:19:51,833 AND THEN KARLIE'S BEEN MIA, 897 00:19:51,833 --> 00:19:52,933 AND BENZINO'S BEEN WALKING 898 00:19:52,933 --> 00:19:53,833 AROUND THE HOUSE LOOKING LIKE 899 00:19:53,833 --> 00:19:55,567 HE'S SAID, LOOKING CRAZY. 900 00:19:55,567 --> 00:19:56,800 IN THE BEGINNING, 901 00:19:56,800 --> 00:19:57,967 HE WAS, LIKE, LOVEY-DOVE-- 902 00:19:57,967 --> 00:19:59,333 I MEAN, THE MAN SWEPT ME 903 00:19:59,333 --> 00:20:00,567 OFF OF MY FEET. 904 00:20:00,567 --> 00:20:01,567 SO WHAT'S THE PROBLEM? 905 00:20:01,567 --> 00:20:03,600 AND THE SEX 906 00:20:03,600 --> 00:20:04,967 WAS GOOD. 907 00:20:04,967 --> 00:20:05,933 FOR REAL? 908 00:20:05,933 --> 00:20:07,533 OH, YEAH. 909 00:20:07,533 --> 00:20:08,833 [laughter] 910 00:20:08,833 --> 00:20:11,167 BUT, GIRL, I MEAN, 911 00:20:11,167 --> 00:20:12,633 YOU KNOW WHEN YOU CAME OVER? 912 00:20:12,633 --> 00:20:13,767 THE REASON WHY I WASN'T THERE 913 00:20:13,767 --> 00:20:14,733 IS BECAUSE I TOOK A BREAK 914 00:20:14,733 --> 00:20:15,833 FOR A FEW DAYS. 915 00:20:15,833 --> 00:20:16,900 AND THEN, OKAY-- 916 00:20:16,900 --> 00:20:17,633 WELL, YOU KNOW WHAT? 917 00:20:17,633 --> 00:20:18,467 NEXT TIME YOU TAKE A BREAK, 918 00:20:18,467 --> 00:20:19,133 TAKE YOUR [bleep], 919 00:20:19,133 --> 00:20:19,800 'CAUSE THEN HE KNOWS 920 00:20:19,800 --> 00:20:20,667 YOU'RE COMING BACK IF YOU LEAVE 921 00:20:20,667 --> 00:20:21,333 YOUR [bleep]. 922 00:20:21,333 --> 00:20:22,067 I KNOW, RIGHT? 923 00:20:22,067 --> 00:20:22,733 I SHOULD HAVE TOOK ALL MY 924 00:20:22,733 --> 00:20:23,400 [bleep]. 925 00:20:23,400 --> 00:20:24,267 GOT TO START USING YOUR BRAIN 926 00:20:24,267 --> 00:20:25,367 TO RUN GAME ON THIS MAN, 927 00:20:25,367 --> 00:20:26,133 'CAUSE, GIRL, THEY RUN GAME 928 00:20:26,133 --> 00:20:27,067 ON US. 929 00:20:27,067 --> 00:20:27,700 I SHOULD HAVE TOOK ALL 930 00:20:27,700 --> 00:20:28,400 MY [bleep]. 931 00:20:28,400 --> 00:20:29,133 WE KNOW YOU GOING BACK 932 00:20:29,133 --> 00:20:30,100 'CAUSE WE ALWAYS GO BACK, 933 00:20:30,100 --> 00:20:30,867 LIKE JACKASSES. 934 00:20:30,867 --> 00:20:32,333 WE JUST BUNCH OF JACKASSES. 935 00:20:32,333 --> 00:20:33,433 GO OUT TO THE CLUB, 936 00:20:33,433 --> 00:20:34,900 MAYBE FIND YOU A BOO THING. 937 00:20:34,900 --> 00:20:35,900 BUT THEN, YOU KNOW, 938 00:20:35,900 --> 00:20:37,700 I GOT TO DEAL WITH MY MANAGERS. 939 00:20:37,700 --> 00:20:38,667 THEY'RE TELLING ME, LIKE, 940 00:20:38,667 --> 00:20:40,367 DON'T [bleep] WITH BENZINO. 941 00:20:40,367 --> 00:20:41,733 LIKE, THEY ARE, LIKE, 942 00:20:41,733 --> 00:20:43,100 GOING IN ON ME. 943 00:20:43,100 --> 00:20:44,067 I CAN'T TELL YOU TO NOT 944 00:20:44,067 --> 00:20:45,333 LISTEN TO YOUR MANAGERS. 945 00:20:45,333 --> 00:20:47,067 THAT AIN'T WHAT I DO. 946 00:20:47,067 --> 00:20:48,067 BUT YOU NEED TO THINK 947 00:20:48,067 --> 00:20:48,833 ABOUT WHAT YOU REALLY WANT 948 00:20:48,833 --> 00:20:49,700 TO DO. 949 00:20:49,700 --> 00:20:51,133 YOU'RE RIGHT. 950 00:20:51,133 --> 00:20:51,867 YOU CAN'T KEEP GETTING 951 00:20:51,867 --> 00:20:54,067 PLAYED, GIRL. 952 00:20:54,067 --> 00:20:55,167 WHAT YOU GONNA DO? 953 00:20:55,167 --> 00:20:56,067 I'MA DO WHAT JOSELINE 954 00:20:56,067 --> 00:20:56,967 HERNANDEZ IS GONNA DO-- 955 00:20:56,967 --> 00:20:59,200 BE ME--AND HE'S STILL GONNA BE 956 00:20:59,200 --> 00:21:00,333 MY MANAGER. 957 00:21:00,333 --> 00:21:01,633 AND IF I FEEL LIKE [bleep]-- 958 00:21:01,633 --> 00:21:02,467 BUT THE LAST TIME I TALKED 959 00:21:02,467 --> 00:21:03,367 TO YOU, YOU WAS TALKING ABOUT 960 00:21:03,367 --> 00:21:04,267 THAT HE WASN'T GONNA BE 961 00:21:04,267 --> 00:21:05,400 YOUR MANAGER. 962 00:21:05,400 --> 00:21:07,300 YEAH, I CHANGED MY MIND. 963 00:21:07,300 --> 00:21:09,467 AT LEAST I'M KEEPING IT REAL. 964 00:21:09,467 --> 00:21:11,867 I GOT TO GO TO THE STUDIO, GIRL. 965 00:21:18,700 --> 00:21:19,867 WE NEED SOME CHILL ACTION, 966 00:21:19,867 --> 00:21:20,733 DON'T WE? 967 00:21:20,733 --> 00:21:22,467 UH, YEAH, 968 00:21:22,467 --> 00:21:23,800 LIKE A VACATION. 969 00:21:23,800 --> 00:21:24,800 IT'S BEEN A LITTLE CRAZY 970 00:21:24,800 --> 00:21:25,967 SINCE HIM AND I MET WITH DEB 971 00:21:25,967 --> 00:21:27,067 AND JUST TRYING TO FIGURE OUT 972 00:21:27,067 --> 00:21:28,233 EXACTLY WHAT TO DO 973 00:21:28,233 --> 00:21:30,100 CAREER-WISE AND MANAGEMENT-WISE. 974 00:21:30,100 --> 00:21:32,367 AND AFTER THINKING ABOUT IT 975 00:21:32,367 --> 00:21:33,767 AND HIM AND I TALKING ABOUT IT 976 00:21:33,767 --> 00:21:35,733 AND GOING THROUGH EVERYTHING, 977 00:21:35,733 --> 00:21:36,433 I THINK I'VE COME TO MY 978 00:21:36,433 --> 00:21:37,633 DECISION. 979 00:21:37,633 --> 00:21:39,300 I DON'T WANT TO EVER MAKE YOU 980 00:21:39,300 --> 00:21:40,900 FEEL LIKE YOU EVER HAVE 981 00:21:40,900 --> 00:21:44,067 TO QUESTION MY LOYALTY TO YOU, 982 00:21:44,067 --> 00:21:47,067 MY LOVE FOR YOU, 983 00:21:47,067 --> 00:21:48,567 MY ANYTHING. 984 00:21:48,567 --> 00:21:49,867 I DON'T WANT TO DO THAT. 985 00:21:49,867 --> 00:21:52,067 SO I DON'T THINK THAT THE DEB 986 00:21:52,067 --> 00:21:53,433 DECISION IS SOMETHING THAT I 987 00:21:53,433 --> 00:21:55,900 WANT TO DO RIGHT NOW. 988 00:21:55,900 --> 00:21:57,267 I MEAN, TO BE HONEST WITH YOU, 989 00:21:57,267 --> 00:21:58,333 I JUST FEEL LIKE, 990 00:21:58,333 --> 00:21:59,633 YOU KNOW, IT'S BEEN ME AND YOU. 991 00:21:59,633 --> 00:22:01,233 LET'S KEEP--LET'S KEEP THIS 992 00:22:01,233 --> 00:22:02,400 THING GOING. 993 00:22:02,400 --> 00:22:03,600 AT THE END OF THE DAY, 994 00:22:03,600 --> 00:22:05,200 I JUST LOOK AT IT LIKE 995 00:22:05,200 --> 00:22:06,833 IT'S ALL ABOUT ME AND HIM. 996 00:22:06,833 --> 00:22:08,133 I JUST WANT TO MAKE HIM AND I 997 00:22:08,133 --> 00:22:09,400 HAPPY AND DO WHAT WE NEED 998 00:22:09,400 --> 00:22:10,867 TO DO TO TAKE IT TO THE TOP 999 00:22:10,867 --> 00:22:12,133 TOGETHER. 1000 00:22:12,133 --> 00:22:13,200 I'M ALWAYS ON GRIND MODE, 1001 00:22:13,200 --> 00:22:14,733 AND I FOCUS IN ON WHAT I NEED 1002 00:22:14,733 --> 00:22:15,767 TO BE FOCUSED ON, 1003 00:22:15,767 --> 00:22:17,533 WHICH IS ME AND YOU. 1004 00:22:17,533 --> 00:22:20,600 SO I WAS THINKING... 1005 00:22:20,600 --> 00:22:21,667 OH. 1006 00:22:21,667 --> 00:22:23,633 DO YOU THINK YOU WOULD WANT 1007 00:22:23,633 --> 00:22:28,467 TO RENEW OUR VOWS? 1008 00:22:28,467 --> 00:22:30,433 YOU KNOW, BUT LOOK. 1009 00:22:30,433 --> 00:22:32,900 NOTHING BIG. 1010 00:22:32,900 --> 00:22:34,233 JUST SOMETHING REALLY SMALL 1011 00:22:34,233 --> 00:22:36,100 WITH THE KIDS 1012 00:22:36,100 --> 00:22:37,267 AND JUST, YOU KNOW, 1013 00:22:37,267 --> 00:22:38,833 GIVE OUR SELF A LITTLE-- 1014 00:22:38,833 --> 00:22:40,500 A LITTLE THRUST. 1015 00:22:40,500 --> 00:22:41,467 [both chuckle] 1016 00:22:41,467 --> 00:22:42,467 12 YEARS AGO, WE JUST RAN 1017 00:22:42,467 --> 00:22:44,167 OFF TO VEGAS, DECIDED WE WANTED 1018 00:22:44,167 --> 00:22:44,900 TO GET MARRIED. 1019 00:22:44,900 --> 00:22:46,233 IT WAS JUST ME AND HIM, 1020 00:22:46,233 --> 00:22:47,100 AND IT WAS JUST SOMETHING 1021 00:22:47,100 --> 00:22:48,533 REALLY SMALL AND CUTE. 1022 00:22:48,533 --> 00:22:50,067 BUT THIS TIME, I THINK 1023 00:22:50,067 --> 00:22:51,433 I WANT TO, YOU KNOW, INVOLVE 1024 00:22:51,433 --> 00:22:53,333 THE CLOSE FAMILY AND FRIENDS, 1025 00:22:53,333 --> 00:22:54,600 RENEW OUR VOWS, 1026 00:22:54,600 --> 00:22:56,300 AND I WANT HIM TO UNDERSTAND 1027 00:22:56,300 --> 00:22:57,767 THAT OUR LOVE IS SOLID 1028 00:22:57,767 --> 00:22:59,667 AND I WANT IT TO STAY SOLID. 1029 00:22:59,667 --> 00:23:00,967 BUT FIRST, WE GONNA ENJOY 1030 00:23:00,967 --> 00:23:01,967 EACH OTHER TONIGHT 1031 00:23:01,967 --> 00:23:03,233 BECAUSE I GOT ON SOME CUTE 1032 00:23:03,233 --> 00:23:05,267 [bleep] UNDER THIS DRESS. 1033 00:23:05,267 --> 00:23:06,133 MMM. 1034 00:23:06,133 --> 00:23:06,900 [laughs] 1035 00:23:06,900 --> 00:23:08,133 YEAH, I WANT TO SEE. 1036 00:23:08,133 --> 00:23:09,067 NO, YOU DON'T NEED TO HAVE ON 1037 00:23:09,067 --> 00:23:09,933 NOTHING. 1038 00:23:09,933 --> 00:23:10,833 THERE YOU GO. 1039 00:23:10,833 --> 00:23:11,500 EXACTLY. 1040 00:23:11,500 --> 00:23:12,933 LET'S GET THE HELL ON. 1041 00:23:12,933 --> 00:23:14,067 LET'S TOAST FIRST. 1042 00:23:14,067 --> 00:23:16,667 TILL DEATH DO US PART. 1043 00:23:30,767 --> 00:23:32,233 DAMN. 1044 00:23:32,233 --> 00:23:33,233 THAT'S THE RINGLING BROTHERS 1045 00:23:33,233 --> 00:23:34,833 BARNUM [bleep] RIGHT THERE. 1046 00:23:34,833 --> 00:23:36,067 HOW LONG CAN YOU DO THAT? 1047 00:23:36,067 --> 00:23:38,167 TILL YOU TELL ME TO STOP. 1048 00:23:38,167 --> 00:23:38,933 WHOO! 1049 00:23:38,933 --> 00:23:41,567 HEY! 1050 00:23:41,567 --> 00:23:42,967 OKAY. 1051 00:23:42,967 --> 00:23:43,867 NICE. 1052 00:23:43,867 --> 00:23:44,533 THAT WAS NICE. 1053 00:23:44,533 --> 00:23:47,667 HERE YOU GO, MOMMY. 1054 00:23:47,667 --> 00:23:49,133 GOD BLESS YOU. 1055 00:23:49,133 --> 00:23:50,333 I DON'T KNOW WHAT IT IS, 1056 00:23:50,333 --> 00:23:51,700 BUT STRIP CLUBS 1057 00:23:51,700 --> 00:23:53,567 ALWAYS SEEM TO GIVE ME CLARITY. 1058 00:23:53,567 --> 00:23:55,867 SO I CALLED UP SLEAZO. 1059 00:23:55,867 --> 00:23:57,067 I TOLD HIM, "COME ON, MAN, 1060 00:23:57,067 --> 00:23:57,933 LET'S GO ON OUT FOR A COUPLE 1061 00:23:57,933 --> 00:23:59,300 OF DRINKS, MAN, AND JUST, 1062 00:23:59,300 --> 00:24:00,200 YOU KNOW WHAT I'M SAYING, 1063 00:24:00,200 --> 00:24:01,067 REALLY TRY TO KICK IT 1064 00:24:01,067 --> 00:24:02,500 WITH EACH OTHER ABOUT ALL 1065 00:24:02,500 --> 00:24:05,267 THIS FEMALE STUFF." 1066 00:24:05,267 --> 00:24:06,300 SEE, I TOLD YOU ABOUT 1067 00:24:06,300 --> 00:24:07,067 THAT THERAPY [bleep]. 1068 00:24:07,067 --> 00:24:07,867 I KNEW THAT [bleep] WASN'T 1069 00:24:07,867 --> 00:24:08,967 A GOOD IDEA; TRUST ME. 1070 00:24:08,967 --> 00:24:09,733 AT THE END OF THE DAY, 1071 00:24:09,733 --> 00:24:11,233 I'M NOT TRYING TO HIDE [bleep], 1072 00:24:11,233 --> 00:24:12,133 SO I'M GONNA PUT IT ALL 1073 00:24:12,133 --> 00:24:12,833 ON THE TABLE. 1074 00:24:12,833 --> 00:24:14,800 WHY DO THE THERAPY 1075 00:24:14,800 --> 00:24:16,233 AND AFTER THAT BOUNCE? 1076 00:24:16,233 --> 00:24:18,067 IT'S A BILLION WORDS YOU SAY. 1077 00:24:18,067 --> 00:24:18,700 YOU DON'T HAVE TO USE YOUR 1078 00:24:18,700 --> 00:24:20,067 FISTS, YOU KNOW WHAT I'M SAYING? 1079 00:24:20,067 --> 00:24:21,500 THAT'S CRAZY. 1080 00:24:21,500 --> 00:24:22,333 YEAH, BUT YOU GOT TO GO BACK, 1081 00:24:22,333 --> 00:24:23,433 THOUGH, RIGHT? 1082 00:24:23,433 --> 00:24:24,733 YEAH, WE GONNA GO BACK 1083 00:24:24,733 --> 00:24:26,600 TO THERAPY. 1084 00:24:26,600 --> 00:24:27,933 OKAY, YOU GOT TWO GIRLS. 1085 00:24:27,933 --> 00:24:29,767 OBVIOUSLY YOU CARE FOR BOTH 1086 00:24:29,767 --> 00:24:30,667 OF THEM. 1087 00:24:30,667 --> 00:24:31,767 HOW DO YOU GET THOSE TWO 1088 00:24:31,767 --> 00:24:33,067 TO, YOU KNOW, COME TOGETHER, 1089 00:24:33,067 --> 00:24:33,867 YOU KNOW? 1090 00:24:33,867 --> 00:24:35,233 IN MY PERFECT WORLD, 1091 00:24:35,233 --> 00:24:36,100 I COULD GET THEM TO WORK 1092 00:24:36,100 --> 00:24:37,933 TOGETHER. 1093 00:24:37,933 --> 00:24:39,067 YOU WANT TO KEEP THEM BOTH 1094 00:24:39,067 --> 00:24:39,933 IN YOUR LIFE. 1095 00:24:39,933 --> 00:24:42,467 YOU WANT TO LOVE THEM BOTH. 1096 00:24:42,467 --> 00:24:44,067 YEAH. 1097 00:24:44,067 --> 00:24:45,800 I'M IN LOVE WITH MIMI 1098 00:24:45,800 --> 00:24:47,600 AND I'M IN LOVE WITH JOSELINE. 1099 00:24:47,600 --> 00:24:48,833 ALL WE NEED TO DO IS GET 1100 00:24:48,833 --> 00:24:49,933 THROUGH ONE MORE SESSION 1101 00:24:49,933 --> 00:24:51,367 WITH DR. JEFF, 1102 00:24:51,367 --> 00:24:53,133 BECOME ONE WITH EACH OTHER, 1103 00:24:53,133 --> 00:24:54,167 AND WE CAN LIVE HAPPILY 1104 00:24:54,167 --> 00:24:56,067 EVER AFTER. 1105 00:24:56,067 --> 00:24:57,300 SO WHAT'S UP WITH YOU, MAN? 1106 00:24:57,300 --> 00:24:58,167 WHAT'S UP WITH YOU AND KARLIE, 1107 00:24:58,167 --> 00:24:59,867 MAN? 1108 00:24:59,867 --> 00:25:01,133 WHEN I MET HER, 1109 00:25:01,133 --> 00:25:02,567 I SEEN A LOT OF [bleep] ABOUT 1110 00:25:02,567 --> 00:25:03,300 IT; YOU FEEL ME? 1111 00:25:03,300 --> 00:25:03,967 RIGHT, RIGHT. 1112 00:25:03,967 --> 00:25:04,967 BUT THEN AS WE GO ALONG, 1113 00:25:04,967 --> 00:25:06,267 EVERYTHING'S ABOUT, LIKE, 1114 00:25:06,267 --> 00:25:09,267 HER CAREER AND HER MANAGERS. 1115 00:25:09,267 --> 00:25:10,367 WHAT ABOUT HER CAREER 1116 00:25:10,367 --> 00:25:11,633 AND HER MANAGER? 1117 00:25:11,633 --> 00:25:12,567 IT'S JUST TOO MUCH. 1118 00:25:12,567 --> 00:25:13,400 LIKE, EVERYTHING'S ABOUT 1119 00:25:13,400 --> 00:25:14,133 THE CAREER. 1120 00:25:14,133 --> 00:25:15,433 EVERYTHING'S ABOUT THE CAREER. 1121 00:25:15,433 --> 00:25:16,933 YOU LOVE HER, THOUGH. 1122 00:25:16,933 --> 00:25:18,233 SEE, MY LOVE AND YOUR LOVE 1123 00:25:18,233 --> 00:25:19,300 I THINK IS DIFFERENT. 1124 00:25:19,300 --> 00:25:21,167 THERE'S ONLY ONE LOVE. 1125 00:25:21,167 --> 00:25:22,067 THAT'S WHY I LIKE TO COME 1126 00:25:22,067 --> 00:25:23,267 HERE, BECAUSE, YOU KNOW, 1127 00:25:23,267 --> 00:25:24,433 I'M TRYING TO LOOK FOR LOVE. 1128 00:25:24,433 --> 00:25:25,267 THIS DON'T HELP IT NONE, 1129 00:25:25,267 --> 00:25:27,667 YOU KNOW WHAT I'M SAYING? 1130 00:25:27,667 --> 00:25:28,433 MEAN. 1131 00:25:28,433 --> 00:25:29,800 I THINK THINGS COULD WORK OUT 1132 00:25:29,800 --> 00:25:30,833 BETWEEN ME AND KARLIE, 1133 00:25:30,833 --> 00:25:31,833 BUT SHE'S GOT TO STOP THIS 1134 00:25:31,833 --> 00:25:32,500 [bleep]. 1135 00:25:32,500 --> 00:25:33,467 IT SEEMS LIKE SHE JUST WANTS 1136 00:25:33,467 --> 00:25:34,767 TO TALK ABOUT HER 1137 00:25:34,767 --> 00:25:36,233 AND HER GRIND. 1138 00:25:36,233 --> 00:25:37,300 I KNOW THERE'S MORE TO LIFE 1139 00:25:37,300 --> 00:25:38,400 THAN JUST THAT. 1140 00:25:38,400 --> 00:25:39,967 TO KARLIE RED. 1141 00:25:39,967 --> 00:25:42,067 KARLIE RED. 1142 00:25:42,067 --> 00:25:42,967 TO MIMI. 1143 00:25:42,967 --> 00:25:43,967 MIMI. 1144 00:25:43,967 --> 00:25:45,067 JOSELINE. 1145 00:25:45,067 --> 00:25:47,667 both: HEY! 1146 00:25:47,667 --> 00:25:49,467 HERE IS KAIA, PARK PLACE. 1147 00:25:49,467 --> 00:25:50,633 TO DR. JERFF. 1148 00:25:50,633 --> 00:25:53,300 [both laugh] 1149 00:25:53,300 --> 00:25:54,500 [bleep] DR. JEFF. 1150 00:25:54,500 --> 00:25:57,200 [laughter] 1151 00:25:57,200 --> 00:25:59,067 [bleep] THAT MOTHER[bleep]. 1152 00:25:59,067 --> 00:26:00,633 I'M TALKING ABOUT THAT. 1153 00:26:00,633 --> 00:26:01,900 ALL RIGHT, OKAY, 1154 00:26:01,900 --> 00:26:02,833 I UNDERSTAND. 1155 00:26:02,833 --> 00:26:03,767 LISTEN, JOSELINE-- 1156 00:26:03,767 --> 00:26:04,433 I MEAN, MIMI. 1157 00:26:04,433 --> 00:26:05,800 EXACTLY. 1158 00:26:05,800 --> 00:26:07,133 THAT BITCH AROUND SO MUCH, 1159 00:26:07,133 --> 00:26:09,500 YOU CALLING ME JOSELINE. 1160 00:26:09,500 --> 00:26:10,800 I AM A WOMAN THAT LIVED 1161 00:26:10,800 --> 00:26:12,800 THROUGH THE VIOLENCE AGAINST ME. 1162 00:26:12,800 --> 00:26:14,600 I'M A SURVIVOR. 1163 00:26:14,600 --> 00:26:15,933 THE GUY SHE'S REFERRING TO 1164 00:26:15,933 --> 00:26:17,900 IS MARRIED TO ONE OF MY CLOSE, 1165 00:26:17,900 --> 00:26:18,833 CLOSE FRIENDS. 1166 00:26:18,833 --> 00:26:19,667 AND I DON'T REALLY WANT 1167 00:26:19,667 --> 00:26:21,633 TO TALK ABOUT IT. 1168 00:26:34,067 --> 00:26:35,567 I'VE KNOWN MIMI FOR YEARS, 1169 00:26:35,567 --> 00:26:36,800 EVEN BEFORE HER AND STEVIE 1170 00:26:36,800 --> 00:26:38,233 WAS TOGETHER. 1171 00:26:38,233 --> 00:26:39,267 I CALLED HER UP, 1172 00:26:39,267 --> 00:26:40,400 AND SHE TOLD ME SHE WAS AT 1173 00:26:40,400 --> 00:26:41,567 THE CAR WASH IN THE HOOD, 1174 00:26:41,567 --> 00:26:42,733 SO I DECIDED TO JUST DROP IN 1175 00:26:42,733 --> 00:26:44,833 ON HER. 1176 00:26:46,167 --> 00:26:47,200 HEY. 1177 00:26:47,200 --> 00:26:48,467 OH, Z. 1178 00:26:48,467 --> 00:26:49,367 I'M GLAD YOU DIDN'T LEAVE, 1179 00:26:49,367 --> 00:26:50,100 MAN. 1180 00:26:50,100 --> 00:26:51,100 I WAS TRYING TO HURRY UP 1181 00:26:51,100 --> 00:26:51,933 AND GET HERE. 1182 00:26:51,933 --> 00:26:52,800 CAUGHT ME. 1183 00:26:52,800 --> 00:26:53,933 LISTEN, I DON'T WANT NO BAD 1184 00:26:53,933 --> 00:26:55,433 BLOOD BETWEEN US, 1185 00:26:55,433 --> 00:26:56,733 EVEN THOUGH SLEAZO'S MY FRIEND, 1186 00:26:56,733 --> 00:26:57,867 I STILL WANT TO BE NEUTRAL 1187 00:26:57,867 --> 00:26:58,600 ON THIS. 1188 00:26:58,600 --> 00:26:59,567 YOU KNOW, THE REAL REASON I CAME 1189 00:26:59,567 --> 00:27:00,700 AND I WANTED TO TALK TO YOU 1190 00:27:00,700 --> 00:27:01,533 IS BECAUSE I DON'T WANT YOU 1191 00:27:01,533 --> 00:27:03,400 TO THINK THAT I'M IN THE MIDDLE, 1192 00:27:03,400 --> 00:27:04,933 YOU KNOW, PLOTTING AGAINST YOU. 1193 00:27:04,933 --> 00:27:05,933 I KNOW WHAT Y'ALL ARE GOING 1194 00:27:05,933 --> 00:27:06,700 THROUGH. 1195 00:27:06,700 --> 00:27:07,533 I'M GONNA STOP YOU RIGHT 1196 00:27:07,533 --> 00:27:09,400 THERE. 1197 00:27:09,400 --> 00:27:11,567 HE'S THE ONE WITH OTHER WOMEN. 1198 00:27:11,567 --> 00:27:12,633 IT'S NOT ME. 1199 00:27:12,633 --> 00:27:13,667 MIMI, JUST WANT Y'ALL 1200 00:27:13,667 --> 00:27:15,533 TO COME TO SOME TYPE OF, LIKE, 1201 00:27:15,533 --> 00:27:17,067 COMMON GROUND, MAN, 1202 00:27:17,067 --> 00:27:17,800 BECAUSE YOU KNOW WHAT I'M 1203 00:27:17,800 --> 00:27:18,467 SAYING? 1204 00:27:18,467 --> 00:27:19,900 IT'S LIKE YOU ALWAYS UPSET. 1205 00:27:19,900 --> 00:27:21,167 WHAT DO YOU WANT ME TO DO? 1206 00:27:21,167 --> 00:27:22,733 YOU CAN'T KEEP BARKING. 1207 00:27:22,733 --> 00:27:23,567 SO I'M JUST SUPPOSED TO SIT 1208 00:27:23,567 --> 00:27:24,767 DOWN AND LIE DOWN LIKE A DOG? 1209 00:27:24,767 --> 00:27:25,467 NO, NO, NO. 1210 00:27:25,467 --> 00:27:26,267 AND TAKE IT? 1211 00:27:26,267 --> 00:27:26,967 YOU GOT TO FIGHT WITH 1212 00:27:26,967 --> 00:27:27,633 KINDNESS. 1213 00:27:27,633 --> 00:27:29,433 WHEN HE STARTS RESPECTING ME, 1214 00:27:29,433 --> 00:27:30,500 THAT'S WHEN I WILL START 1215 00:27:30,500 --> 00:27:31,533 RESPECTING HIM. 1216 00:27:31,533 --> 00:27:32,267 YEAH, BUT-- 1217 00:27:32,267 --> 00:27:33,067 AS LONG AS YOU'RE OUT 1218 00:27:33,067 --> 00:27:33,833 IN THE STREETS FLAUNTING 1219 00:27:33,833 --> 00:27:35,400 THIS BITCH, HANGING OUT, 1220 00:27:35,400 --> 00:27:37,067 [bleep] HER, SHE THREATENING ME 1221 00:27:37,067 --> 00:27:38,467 AND ASKS SOME MORE 1222 00:27:38,467 --> 00:27:39,467 WHAT DO YOU--I'M SUPPOSED 1223 00:27:39,467 --> 00:27:40,567 TO BE KIND TO THAT? 1224 00:27:40,567 --> 00:27:41,333 HOW LONG HAVE Y'ALL KNOWN 1225 00:27:41,333 --> 00:27:42,067 EACH OTHER? 1226 00:27:42,067 --> 00:27:42,667 A LONG TIME. 1227 00:27:42,667 --> 00:27:43,333 HOW LONG? 1228 00:27:43,333 --> 00:27:44,100 DAMN NEAR 15 YEARS. 1229 00:27:44,100 --> 00:27:44,933 15 YEARS, AND THIS IS ONE 1230 00:27:44,933 --> 00:27:45,600 WOMAN? 1231 00:27:45,600 --> 00:27:46,900 COME ON, THAT'S NOT BAD. 1232 00:27:46,900 --> 00:27:48,267 I KNOW A LOT WORSE SITUATIONS 1233 00:27:48,267 --> 00:27:48,933 THAN THIS. 1234 00:27:48,933 --> 00:27:49,700 TRUST ME. 1235 00:27:49,700 --> 00:27:51,467 THAT'S NOT BAD? 1236 00:27:51,467 --> 00:27:52,733 I'M TALKING ABOUT THE LAST 1237 00:27:52,733 --> 00:27:54,633 THREE YEARS. 1238 00:27:54,633 --> 00:27:55,733 WHEN I GOT PREGNANT 1239 00:27:55,733 --> 00:27:57,133 AND WE ARE LIVING TOGETHER 1240 00:27:57,133 --> 00:27:58,767 IN THE SAME HOUSEHOLD. 1241 00:27:58,767 --> 00:28:00,667 I'M TALKING ABOUT THAT. 1242 00:28:00,667 --> 00:28:01,400 ALL RIGHT, OKAY, I 1243 00:28:01,400 --> 00:28:02,600 UNDERSTAND. 1244 00:28:02,600 --> 00:28:03,567 LISTEN, JOSELINE-- 1245 00:28:03,567 --> 00:28:04,333 I MEAN, MIMI. 1246 00:28:04,333 --> 00:28:05,833 EXACTLY. 1247 00:28:05,833 --> 00:28:08,667 MY POINT EXACTLY. 1248 00:28:08,667 --> 00:28:09,833 THAT BITCH AROUND SO MUCH, 1249 00:28:09,833 --> 00:28:12,500 YOU CALLING ME JOSELINE. 1250 00:28:12,500 --> 00:28:15,067 WHEN ZINO CALLED ME JOSELINE, 1251 00:28:15,067 --> 00:28:19,267 IT PROVED MY POINT 150%. 1252 00:28:19,267 --> 00:28:21,733 THAT BITCH IS AROUND CONSTANTLY, 1253 00:28:21,733 --> 00:28:23,067 TO THE POINT THAT YOU ARE 1254 00:28:23,067 --> 00:28:25,867 CALLING ME HER [bleep] NAME. 1255 00:28:25,867 --> 00:28:27,300 CASE CLOSED. 1256 00:28:27,300 --> 00:28:29,167 I HEAR YOU, BUT I'M NOT ABOUT 1257 00:28:29,167 --> 00:28:30,600 TO SIT AND LAY DOWN AND LET 1258 00:28:30,600 --> 00:28:31,633 THESE TWO [bleep] WALK 1259 00:28:31,633 --> 00:28:32,767 ALL OVER ME. 1260 00:28:32,767 --> 00:28:34,067 I'M NOT GONNA DO THAT. 1261 00:28:34,067 --> 00:28:35,267 WELL, YOU KNOW I LOVE YOU. 1262 00:28:35,267 --> 00:28:36,100 YOU KNOW WHAT I'M SAYING? 1263 00:28:36,100 --> 00:28:36,833 ANYTHING YOU WANT TO TALK 1264 00:28:36,833 --> 00:28:37,767 ABOUT, I'M HERE FOR YOU, 1265 00:28:37,767 --> 00:28:38,567 ALL RIGHT? 1266 00:28:38,567 --> 00:28:40,967 I APPRECIATE THAT. 1267 00:28:40,967 --> 00:28:43,067 I MEAN THAT, FOR REAL. 1268 00:28:47,667 --> 00:28:49,100 WELL, HONEY, LISTEN. 1269 00:28:49,100 --> 00:28:51,067 I DON'T KNOW IF I FORMALLY 1270 00:28:51,067 --> 00:28:53,100 INTRODUCED YOU TO MY GIRL. 1271 00:28:53,100 --> 00:28:54,667 NO. 1272 00:28:54,667 --> 00:28:55,433 I DON'T KNOW WHY I SHOWED 1273 00:28:55,433 --> 00:28:56,100 HER. 1274 00:28:56,100 --> 00:28:56,867 SHE RIGHT HERE. 1275 00:28:56,867 --> 00:28:58,600 YOU SEE US ALL BIG AND BOLD. 1276 00:28:58,600 --> 00:28:59,767 BEEP, BEEP, BEEP. 1277 00:28:59,767 --> 00:29:00,833 [laughter] 1278 00:29:00,833 --> 00:29:01,933 ME AND MY GIRL RASHEEDA, 1279 00:29:01,933 --> 00:29:02,833 WE LINK UP. 1280 00:29:02,833 --> 00:29:03,567 WE FITTIN' TO GO SUPPORT 1281 00:29:03,567 --> 00:29:04,533 OUR GIRL K. 1282 00:29:04,533 --> 00:29:05,933 SHE'S DOING A PERFORMANCE PIECE 1283 00:29:05,933 --> 00:29:07,667 FOR A NON-PROFIT ORGANIZATION 1284 00:29:07,667 --> 00:29:08,933 CALLED SAVING OUR DAUGHTERS. 1285 00:29:08,933 --> 00:29:10,867 SO THIS, WHAT WE GOING TO, 1286 00:29:10,867 --> 00:29:12,933 IS THE SAVING OUR DAUGHTERS 1287 00:29:12,933 --> 00:29:13,733 THING, RIGHT? 1288 00:29:13,733 --> 00:29:14,400 UH-HUH. 1289 00:29:14,400 --> 00:29:15,300 SHE'S GOING TO SPEAK 1290 00:29:15,300 --> 00:29:16,867 TO SOME YOUNG GIRLS 1291 00:29:16,867 --> 00:29:18,467 TO TALK ABOUT HER EXPERIENCE 1292 00:29:18,467 --> 00:29:19,433 WITH DOMESTIC VIOLENCE 1293 00:29:19,433 --> 00:29:20,733 AND JUST TRY TO TEACH THEM 1294 00:29:20,733 --> 00:29:22,067 SOMETHING, HOPING THEY CAN 1295 00:29:22,067 --> 00:29:22,767 RELATE AND LEARN FROM 1296 00:29:22,767 --> 00:29:23,867 THE SITUATION. 1297 00:29:23,867 --> 00:29:24,933 YOU KNOW, WITH TALKING 1298 00:29:24,933 --> 00:29:26,367 TO K. AND STUFF ABOUT THAT 1299 00:29:26,367 --> 00:29:27,900 SITUATION AND STUFF, 1300 00:29:27,900 --> 00:29:29,167 I WANT TO SEE HER GROW 1301 00:29:29,167 --> 00:29:30,933 AND GET TO A BETTER PLACE. 1302 00:29:30,933 --> 00:29:34,300 BUT I JUST FEEL A LITTLE FUNNY, 1303 00:29:34,300 --> 00:29:35,567 LIKE, TO BE HONEST WITH YOU. 1304 00:29:35,567 --> 00:29:37,167 WHY DO YOU FEEL FUNNY? 1305 00:29:37,167 --> 00:29:38,400 BECAUSE, LIKE, THE GUY 1306 00:29:38,400 --> 00:29:39,467 SHE'S REFERRING TO 1307 00:29:39,467 --> 00:29:41,400 IS MARRIED TO ONE OF MY CLOSE, 1308 00:29:41,400 --> 00:29:42,600 CLOSE FRIENDS. 1309 00:29:42,600 --> 00:29:43,900 AND IT'S LIKE, WHEN ME AND K. 1310 00:29:43,900 --> 00:29:45,500 SIT DOWN AND WE TALK AND STUFF, 1311 00:29:45,500 --> 00:29:46,767 SHE BRINGS IT UP A LOT. 1312 00:29:46,767 --> 00:29:47,767 AND I DON'T REALLY WANT TO TALK 1313 00:29:47,767 --> 00:29:48,633 ABOUT IT. 1314 00:29:48,633 --> 00:29:49,333 I FEEL LIKE I'M IN A 1315 00:29:49,333 --> 00:29:51,367 DIFFICULT SITUATION BECAUSE 1316 00:29:51,367 --> 00:29:53,433 I FEEL LIKE, IS IT A LOYALTY 1317 00:29:53,433 --> 00:29:54,767 CARD I'M PLAYING WITH MY FRIENDS 1318 00:29:54,767 --> 00:29:56,533 I'VE HAD FOR YEARS? 1319 00:29:56,533 --> 00:29:57,900 AM I BEING WRONG FOR NOT BEING 1320 00:29:57,900 --> 00:30:00,267 SENSITIVE TO K.'S SITUATION? 1321 00:30:00,267 --> 00:30:01,767 I'M KIND OF STUCK. 1322 00:30:01,767 --> 00:30:02,900 IT'S SO CRAZY TO ME 1323 00:30:02,900 --> 00:30:05,200 BECAUSE HE'S, LIKE, 1324 00:30:05,200 --> 00:30:06,767 "THAT DIDN'T HAPPEN." 1325 00:30:06,767 --> 00:30:08,067 FIRST OF ALL, GIRL, 1326 00:30:08,067 --> 00:30:09,633 IT WAS YEARS AGO. 1327 00:30:09,633 --> 00:30:10,933 WHATEVER THE SITUATION WAS, 1328 00:30:10,933 --> 00:30:12,667 THEIR RELATIONSHIP WAS-- 1329 00:30:12,667 --> 00:30:14,267 THIS IS SOMETHING THAT K. 1330 00:30:14,267 --> 00:30:15,667 DOES NEED TO MOVE FORWARD FROM. 1331 00:30:15,667 --> 00:30:16,533 SHE DOES. 1332 00:30:16,533 --> 00:30:18,633 SO THIS IS GOOD. 1333 00:30:18,633 --> 00:30:19,500 AND THAT'S WHY I WANT 1334 00:30:19,500 --> 00:30:20,200 TO SUPPORT HER. 1335 00:30:20,200 --> 00:30:21,067 THIS IS A GOOD, IN A SENSE, 1336 00:30:21,067 --> 00:30:22,633 BECAUSE SHE HAS TO-- 1337 00:30:22,633 --> 00:30:24,333 YOU KNOW, WHAT'S THE NEXT THING 1338 00:30:24,333 --> 00:30:25,333 AFTER THIS? 1339 00:30:25,333 --> 00:30:26,700 THAT'S WHY I'M LIKE, LOOK, 1340 00:30:26,700 --> 00:30:28,867 LET'S DEFINITELY GO SUPPORT, 1341 00:30:28,867 --> 00:30:30,067 HOLD HER DOWN. 1342 00:30:30,067 --> 00:30:30,767 YOU KNOW, I'M NOT GONNA TALK 1343 00:30:30,767 --> 00:30:31,600 ABOUT NONE OF THAT. 1344 00:30:31,600 --> 00:30:32,400 YOU KNOW WHAT I'M SAYING? 1345 00:30:32,400 --> 00:30:33,067 I REALLY JUST HAD THIS 1346 00:30:33,067 --> 00:30:33,833 CONVERSATION WITH YOU, 1347 00:30:33,833 --> 00:30:35,133 BUT SHE AND I EVENTUALLY 1348 00:30:35,133 --> 00:30:36,300 WILL HAVE THE CONVERSATION. 1349 00:30:36,300 --> 00:30:37,133 AND Y'ALL NEED TO. 1350 00:30:37,133 --> 00:30:38,600 WE DO, BUT JUST NOT TODAY. 1351 00:30:38,600 --> 00:30:39,600 LET'S JUST, YOU KNOW, 1352 00:30:39,600 --> 00:30:40,500 GO CHECK OUT... 1353 00:30:40,500 --> 00:30:41,200 BE SUPPORTIVE. 1354 00:30:41,200 --> 00:30:42,067 BE SUPPORTIVE, 1355 00:30:42,067 --> 00:30:43,067 HOLD HER DOWN, 1356 00:30:43,067 --> 00:30:44,500 AND--YOU KNOW, AND SHE AND I 1357 00:30:44,500 --> 00:30:46,100 CAN TALK ABOUT THIS LATER, 1358 00:30:46,100 --> 00:30:46,967 YOU KNOW? 1359 00:30:46,967 --> 00:30:48,800 JUST GO AND HAVE HER BACK 1360 00:30:48,800 --> 00:30:50,600 RIGHT NOW. 1361 00:30:50,600 --> 00:30:52,867 DEFINITELY. 1362 00:30:52,867 --> 00:30:54,467 MAYBE HE'S NOT DOING THAT 1363 00:30:54,467 --> 00:30:56,333 BECAUSE THAT'S NOT SOMETHING 1364 00:30:56,333 --> 00:30:57,233 THAT HE DID TO YOU. 1365 00:30:57,233 --> 00:30:59,833 RASHEEDA, HE DID THAT TO ME. 1366 00:30:59,833 --> 00:31:00,633 WHAT IS YOUR SOLUTION 1367 00:31:00,633 --> 00:31:02,567 TO BEING ANGRY ALL THE TIME? 1368 00:31:02,567 --> 00:31:03,433 HOW THE [bleep] ARE WE GONNA 1369 00:31:03,433 --> 00:31:04,300 TALK ABOUT A SOLUTION 1370 00:31:04,300 --> 00:31:05,200 IF YOU DON'T EVEN KNOW, 1371 00:31:05,200 --> 00:31:06,467 LIKE, WHAT THE PROBLEM IS? 1372 00:31:06,467 --> 00:31:07,267 THE PROBLEM IS THAT YOU'RE 1373 00:31:07,267 --> 00:31:09,800 ANGRY ALL THE TIME. 1374 00:31:21,167 --> 00:31:22,067 SAVING OUR DAUGHTERS 1375 00:31:22,067 --> 00:31:23,833 IS AN ORGANIZATION THAT, 1376 00:31:23,833 --> 00:31:25,767 THEY DEAL WITH YOUTH 1377 00:31:25,767 --> 00:31:27,100 AND WOMEN WHO'VE GONE 1378 00:31:27,100 --> 00:31:28,233 THROUGH VIOLENCE. 1379 00:31:28,233 --> 00:31:30,067 SO WHAT I WANTED TO DO 1380 00:31:30,067 --> 00:31:31,700 WAS PICK AN ORGANIZATION 1381 00:31:31,700 --> 00:31:33,700 THAT I COULD RELATE TO. 1382 00:31:33,700 --> 00:31:34,667 TODAY I'M GONNA INTRODUCE 1383 00:31:34,667 --> 00:31:36,067 K. MICHELLE, WHO IS A SINGLE 1384 00:31:36,067 --> 00:31:37,667 MOM, AND SHE'S ALSO OVERCOME 1385 00:31:37,667 --> 00:31:38,667 DOMESTIC VIOLENCE IN HER 1386 00:31:38,667 --> 00:31:40,400 PERSONAL EXPERIENCES. 1387 00:31:40,400 --> 00:31:41,567 WE HOPE THAT YOU GUYS CAN LEARN 1388 00:31:41,567 --> 00:31:42,933 FROM HER AND, YOU KNOW, 1389 00:31:42,933 --> 00:31:44,067 GAIN FROM HER EXPERIENCES 1390 00:31:44,067 --> 00:31:44,833 SO YOU DON'T HAVE TO GO 1391 00:31:44,833 --> 00:31:46,900 THROUGH THE SAME THINGS. 1392 00:31:46,900 --> 00:31:47,867 OKAY, MICHELLE. 1393 00:31:47,867 --> 00:31:48,833 YOU READY FOR HER? 1394 00:31:48,833 --> 00:31:51,567 [applause] 1395 00:32:01,367 --> 00:32:03,267 AS A GIRL, 1396 00:32:03,267 --> 00:32:05,100 I DREAMED OF A MOMENT 1397 00:32:05,100 --> 00:32:06,200 WHERE I WOULD WALK DOWN 1398 00:32:06,200 --> 00:32:07,800 THE AISLE INTO THE ARMS 1399 00:32:07,800 --> 00:32:12,200 OF THE ONE THAT I LOVED. 1400 00:32:22,600 --> 00:32:24,167 HE CAME TO ME 1401 00:32:24,167 --> 00:32:26,800 IN THE FORM OF A RECORD DEAL-- 1402 00:32:26,800 --> 00:32:28,367 AN EXECUTIVE WHO SIGNED ME 1403 00:32:28,367 --> 00:32:29,833 AND GAVE ME MY DREAM. 1404 00:32:29,833 --> 00:32:31,867 IN MY MIND, HE WAS EVERYTHING, 1405 00:32:31,867 --> 00:32:34,900 AND I TRUSTED HIM WITH MY LIFE. 1406 00:32:34,900 --> 00:32:36,133 THEN THE LIGHT WENT OUT 1407 00:32:36,133 --> 00:32:40,133 OF OUR SMILES... 1408 00:32:40,133 --> 00:32:41,067 BECAUSE... 1409 00:32:41,067 --> 00:32:42,367 [sobbing] 1410 00:32:42,367 --> 00:32:44,167 THE ARMS THAT USED TO WRAP ME 1411 00:32:44,167 --> 00:32:47,367 WITH LOVE WERE NOW BRUISING, 1412 00:32:47,367 --> 00:32:51,100 CRUSHING ME, AND THREATENING ME. 1413 00:32:51,100 --> 00:32:52,467 I AM A WOMAN THAT'S MADE 1414 00:32:52,467 --> 00:32:54,167 MISTAKES. 1415 00:32:54,167 --> 00:32:55,667 I AM A WOMAN THAT GAVE HER HEART 1416 00:32:55,667 --> 00:32:58,167 AWAY TO THE WRONG MAN. 1417 00:32:58,167 --> 00:33:00,067 I AM A WOMAN THAT HAS CRIED 1418 00:33:00,067 --> 00:33:01,967 MYSELF TO SLEEP. 1419 00:33:01,967 --> 00:33:03,533 I AM A WOMAN THAT LIVED 1420 00:33:03,533 --> 00:33:05,633 THROUGH THE VIOLENCE AGAINST ME. 1421 00:33:05,633 --> 00:33:07,367 BUT MORE THAN ANYTHING, 1422 00:33:07,367 --> 00:33:09,933 I'M A SURVIVOR. 1423 00:33:09,933 --> 00:33:12,167 AS A GIRL, I DREAMED OF THIS 1424 00:33:12,167 --> 00:33:14,200 MOMENT RIGHT HERE, 1425 00:33:14,200 --> 00:33:15,067 WHEN I WOULD BE OKAY 1426 00:33:15,067 --> 00:33:17,233 WITH ME, WITH WHO I AM, 1427 00:33:17,233 --> 00:33:19,600 AND ACCEPTING OF MY FLAWS 1428 00:33:19,600 --> 00:33:22,400 AND EVERYTHING ABOUT ME. 1429 00:33:22,400 --> 00:33:24,100 FOR ALL OF YOU, 1430 00:33:24,100 --> 00:33:26,200 I WISH THIS SUCH MOMENT. 1431 00:33:26,200 --> 00:33:28,067 THANK YOU. 1432 00:33:28,067 --> 00:33:29,500 [applause] 1433 00:33:29,500 --> 00:33:31,067 WHOO! 1434 00:33:31,067 --> 00:33:32,900 WHEN I GOT DONE 1435 00:33:32,900 --> 00:33:34,200 SAYING WHAT I HAD TO SAY 1436 00:33:34,200 --> 00:33:35,900 TO THOSE GIRLS, 1437 00:33:35,900 --> 00:33:38,333 I FELT LIKE A BURDEN WAS LIFTED 1438 00:33:38,333 --> 00:33:40,967 OFF OF ME, AND I FELT LIKE 1439 00:33:40,967 --> 00:33:42,967 I HAD A WHOLE LOT MORE HEALING 1440 00:33:42,967 --> 00:33:45,300 TO DO, BUT AT LEAST I WAS TAKING 1441 00:33:45,300 --> 00:33:47,433 THE STEPS IN ORDER TO GET 1442 00:33:47,433 --> 00:33:48,733 COMPLETELY HEALED 1443 00:33:48,733 --> 00:33:50,933 FROM MY SITUATION. 1444 00:33:50,933 --> 00:33:51,800 [sobbing] 1445 00:33:51,800 --> 00:33:52,567 THIS IS GOOD FOR YOU. 1446 00:33:52,567 --> 00:33:55,067 LET IT ALL OUT. 1447 00:34:12,533 --> 00:34:13,700 BABY. 1448 00:34:13,700 --> 00:34:15,300 WHAT'S GOING ON? 1449 00:34:15,300 --> 00:34:16,067 I WANT TO TALK TO YOU. 1450 00:34:16,067 --> 00:34:17,467 ALL RIGHT. 1451 00:34:17,467 --> 00:34:19,067 AFTER BENZINO GAVE ME 1452 00:34:19,067 --> 00:34:20,067 THE KEYS TO HIS HOUSE, 1453 00:34:20,067 --> 00:34:21,400 I STARTED SEEING A WHOLE 1454 00:34:21,400 --> 00:34:22,700 NOTHER SIDE OF HIM-- 1455 00:34:22,700 --> 00:34:24,300 THINGS THAT I DID NOT SEE 1456 00:34:24,300 --> 00:34:26,233 BEFORE I HAD THE KEYS. 1457 00:34:26,233 --> 00:34:27,833 HIS TEMPER, PERIOD. 1458 00:34:27,833 --> 00:34:28,700 PERIOD, POINT BLANK, 1459 00:34:28,700 --> 00:34:29,767 HE HAS A TEMPER. 1460 00:34:29,767 --> 00:34:31,800 SOMEWHERE DOWN THE LINE, 1461 00:34:31,800 --> 00:34:33,067 I DON'T KNOW, I JUST STARTED 1462 00:34:33,067 --> 00:34:34,333 TO SEE THIS ANGER. 1463 00:34:34,333 --> 00:34:35,633 YOU JUST CAN'T EVEN TALK 1464 00:34:35,633 --> 00:34:36,467 TO ME ANYMORE. 1465 00:34:36,467 --> 00:34:37,467 IT'S LIKE IT'S NOT EVEN 1466 00:34:37,467 --> 00:34:38,267 A CONVERSATION. 1467 00:34:38,267 --> 00:34:39,733 IT'S JUST ANGER. 1468 00:34:39,733 --> 00:34:40,533 NO, IT'S NOT THAT. 1469 00:34:40,533 --> 00:34:41,333 IT'S JUST THE ONLY THING 1470 00:34:41,333 --> 00:34:42,400 WE EVER TALK ABOUT 1471 00:34:42,400 --> 00:34:44,333 REALLY IS JUST ABOUT YOU 1472 00:34:44,333 --> 00:34:46,067 AND YOUR CAREER. 1473 00:34:46,067 --> 00:34:47,133 LIKE, OUR CONVERSATION, 1474 00:34:47,133 --> 00:34:48,200 CAN BE MORE TO IT 1475 00:34:48,200 --> 00:34:49,167 THAN JUST THAT. 1476 00:34:49,167 --> 00:34:51,433 OKAY, LET ME STOP YOU THERE. 1477 00:34:51,433 --> 00:34:53,067 WHEN I'M IN THIS HOUSE, 1478 00:34:53,067 --> 00:34:55,067 AND I'M COOKING FOR YOUR KIDS, 1479 00:34:55,067 --> 00:34:56,633 THAT'S NOT INDUSTRY. 1480 00:34:56,633 --> 00:34:59,133 THAT'S REAL LIFE EVERY 1481 00:34:59,133 --> 00:35:00,133 DAY-TO-DAY [bleep]. 1482 00:35:00,133 --> 00:35:00,800 LOOK, LET ME EXPLAIN 1483 00:35:00,800 --> 00:35:01,600 SOMETHING TO YOU, ALL RIGHT? 1484 00:35:01,600 --> 00:35:02,467 NO, LET ME EXPLAIN SOMETHING 1485 00:35:02,467 --> 00:35:03,133 TO YOU. 1486 00:35:03,133 --> 00:35:03,833 OKAY, WELL, GO AHEAD, 1487 00:35:03,833 --> 00:35:04,500 EXPLAIN IT, THEN. 1488 00:35:04,500 --> 00:35:05,200 AND THEN WHEN YOU FINISH, 1489 00:35:05,200 --> 00:35:05,933 THEN LET ME TALK. 1490 00:35:05,933 --> 00:35:07,300 I WANT TO HAVE AN ADULT 1491 00:35:07,300 --> 00:35:08,467 CONVERSATION WITH YOU 1492 00:35:08,467 --> 00:35:09,600 WITHOUT YOU GOING IN A RAGE 1493 00:35:09,600 --> 00:35:10,867 AND BEING ANGRY. 1494 00:35:10,867 --> 00:35:11,667 I'VE HAD ISSUES WITH MY 1495 00:35:11,667 --> 00:35:13,067 TEMPER, THERE'S NO QUESTION. 1496 00:35:13,067 --> 00:35:14,267 BUT I JUST DON'T FEEL LIKE 1497 00:35:14,267 --> 00:35:15,067 I'M SO MUCH-- 1498 00:35:15,067 --> 00:35:16,067 CAN YOU ADDRESS THE FACT 1499 00:35:16,067 --> 00:35:16,933 THAT I SAID THAT YOU'RE ALWAYS 1500 00:35:16,933 --> 00:35:17,933 ANGRY ALL THE TIME? 1501 00:35:17,933 --> 00:35:18,700 I JUST DID. 1502 00:35:18,700 --> 00:35:19,533 WHAT THE [bleep] DO YOU WANT ME 1503 00:35:19,533 --> 00:35:20,200 TO SAY? 1504 00:35:20,200 --> 00:35:20,867 I JUST SAID THAT I HAVE A 1505 00:35:20,867 --> 00:35:21,533 PROBLEM WITH MY TEMPER. 1506 00:35:21,533 --> 00:35:22,367 OKAY, BUT-- 1507 00:35:22,367 --> 00:35:23,067 WHAT YOU WANT ME TO DO? 1508 00:35:23,067 --> 00:35:24,067 I JUST, YOU KNOW, I MEAN-- 1509 00:35:24,067 --> 00:35:24,767 YOU KNOW WHAT? 1510 00:35:24,767 --> 00:35:26,067 WHEN YOU TELL ME, "BABE, 1511 00:35:26,067 --> 00:35:26,867 WE'RE ALWAYS TALKING ABOUT 1512 00:35:26,867 --> 00:35:27,700 THE INDUSTRY OR WHATEVER," 1513 00:35:27,700 --> 00:35:28,833 MY SOLUTION TO THAT IS, 1514 00:35:28,833 --> 00:35:29,567 YOU KNOW WHAT, BABE? 1515 00:35:29,567 --> 00:35:30,767 LET'S GO SOMEWHERE AND START 1516 00:35:30,767 --> 00:35:32,233 TALKING ABOUT US. 1517 00:35:32,233 --> 00:35:33,233 GET AWAY FORM EVERYBODY, 1518 00:35:33,233 --> 00:35:34,167 AND JUST ME AND YOU TALK 1519 00:35:34,167 --> 00:35:35,733 FOR EIGHT HOURS ABOUT US. 1520 00:35:35,733 --> 00:35:36,767 OKAY, LOOK, LOOK. 1521 00:35:36,767 --> 00:35:38,367 OKAY, THAT'S MY SOLUTION. 1522 00:35:38,367 --> 00:35:39,267 BUT WHAT IS YOUR SOLUTION 1523 00:35:39,267 --> 00:35:41,267 TO BEING ANGRY ALL THE TIME? 1524 00:35:41,267 --> 00:35:42,067 HOW THE [bleep] ARE GONNA 1525 00:35:42,067 --> 00:35:43,067 TALK ABOUT A SOLUTION 1526 00:35:43,067 --> 00:35:44,067 IF DON'T EVEN KNOW, LIKE, 1527 00:35:44,067 --> 00:35:45,167 WHAT THE PROBLEM IS? 1528 00:35:45,167 --> 00:35:45,967 THE PROBLEM IS THAT YOU'RE 1529 00:35:45,967 --> 00:35:46,933 ANGRY ALL THE TIME. 1530 00:35:46,933 --> 00:35:48,067 OH, THAT'S THE PROBLEM? 1531 00:35:48,067 --> 00:35:49,067 SO THIS IS THE WHOLE PROBLEM 1532 00:35:49,067 --> 00:35:49,900 BETWEEN ME AND YOU, 1533 00:35:49,900 --> 00:35:50,967 IS THAT I'M ANGRY ALL THE TIME? 1534 00:35:50,967 --> 00:35:52,333 THAT'S ONE OF THE PROBLEMS. 1535 00:35:52,333 --> 00:35:53,333 KARLIE JUST THINKS I'M ANGRY 1536 00:35:53,333 --> 00:35:54,633 FOR NO REASON. 1537 00:35:54,633 --> 00:35:56,200 I'M ANGRY BECAUSE SHE MAKES ME 1538 00:35:56,200 --> 00:35:57,300 THAT WAY. 1539 00:35:57,300 --> 00:35:58,667 LOVE IS A TWO-WAY STREET, 1540 00:35:58,667 --> 00:36:00,400 AND RIGHT NOW, KARLIE'S CAREER 1541 00:36:00,400 --> 00:36:02,100 IS TAKING UP BOTH LANES. 1542 00:36:02,100 --> 00:36:03,067 THERE'S SOME OTHER THINGS. 1543 00:36:03,067 --> 00:36:03,933 ABOUT WHAT? 1544 00:36:03,933 --> 00:36:05,533 SOME JEALOUSY SITUATION. 1545 00:36:05,533 --> 00:36:06,600 WHAT AM I JEALOUS ABOUT? 1546 00:36:06,600 --> 00:36:09,100 IF I SAY I GOT TO THE STUDIO, 1547 00:36:09,100 --> 00:36:10,500 I NEED YOU TO TRUST ME, BABE, 1548 00:36:10,500 --> 00:36:11,300 AND KNOW THAT I [bleep] 1549 00:36:11,300 --> 00:36:12,300 WITH YOU. 1550 00:36:12,300 --> 00:36:13,267 YOU MEAN THE TIME YOU SAID 1551 00:36:13,267 --> 00:36:14,433 YOU WAS GONNA WORK WITH 1552 00:36:14,433 --> 00:36:15,667 SOME JAMAICANS WHEN YOU DIDN'T 1553 00:36:15,667 --> 00:36:16,967 WORK WITH NO JAMAICANS 1554 00:36:16,967 --> 00:36:18,067 AND THAT YOU WENT AND WORKED 1555 00:36:18,067 --> 00:36:19,367 WITH THE GUY FROM TRINIDAD 1556 00:36:19,367 --> 00:36:20,600 THAT YOU TOLD ME HOW MUCH 1557 00:36:20,600 --> 00:36:21,900 YOUR MOTHER AND THEM WANTED 1558 00:36:21,900 --> 00:36:23,200 YOU AND HIM TO HOOK UP. 1559 00:36:23,200 --> 00:36:24,533 AND THEN YOU GO WORK WITH HIM. 1560 00:36:24,533 --> 00:36:25,567 AND YOU LIE. 1561 00:36:25,567 --> 00:36:26,233 BABY-- 1562 00:36:26,233 --> 00:36:27,167 NO, BABY, MY ASS. 1563 00:36:27,167 --> 00:36:28,200 WHAT ABOUT--I SOUND CRAZY? 1564 00:36:28,200 --> 00:36:29,567 WHAT'S SO CRAZY ABOUT THAT? 1565 00:36:29,567 --> 00:36:30,400 WHEN I SAID I'M GOING TO WORK 1566 00:36:30,400 --> 00:36:31,367 WITH SOME JAMAICANS-- 1567 00:36:31,367 --> 00:36:33,067 RIGHT, RIGHT. 1568 00:36:33,067 --> 00:36:34,933 OKAY, CARIBBEANS, JAMAICANS, 1569 00:36:34,933 --> 00:36:35,800 SAME THING. 1570 00:36:35,800 --> 00:36:37,133 DON'T [bleep] PLAY WITH ME, 1571 00:36:37,133 --> 00:36:37,800 YO. 1572 00:36:37,800 --> 00:36:39,500 LIKE, I'M NOT A [bleep] TOY, YO. 1573 00:36:39,500 --> 00:36:40,667 YOU KNEW WHO YOU WAS GOING 1574 00:36:40,667 --> 00:36:41,633 TO WORK WITH. 1575 00:36:41,633 --> 00:36:42,533 I DIDN'T TELL YOU FIRST 1576 00:36:42,533 --> 00:36:43,633 BECAUSE I KNEW YOU WOULD FEEL 1577 00:36:43,633 --> 00:36:46,133 A CERTAIN WAY ABOUT IT. 1578 00:36:46,133 --> 00:36:47,067 BUT I THOUGHT THAT YOU WAS 1579 00:36:47,067 --> 00:36:48,167 THE ONE THAT KEEPS IT REAL AND-- 1580 00:36:48,167 --> 00:36:49,167 YOU KNOW WHAT I'M SAYING? 1581 00:36:49,167 --> 00:36:50,067 BABE, I'M ADMITTING 1582 00:36:50,067 --> 00:36:51,067 THAT YOU'RE RIGHT. 1583 00:36:51,067 --> 00:36:53,167 OKAY, AND I APPRECIATE THAT. 1584 00:36:53,167 --> 00:36:53,867 WHEN THAT HAPPENS, 1585 00:36:53,867 --> 00:36:55,067 MAYBE THAT'S WHAT GETS ME 1586 00:36:55,067 --> 00:36:56,067 TO BE A LITTLE JEALOUS 1587 00:36:56,067 --> 00:36:57,200 OR A LITTLE BIT UPSET 1588 00:36:57,200 --> 00:36:58,067 WITH SOMETHING LIKE THAT. 1589 00:36:58,067 --> 00:36:59,133 IT'S JUST A NATURAL HUMAN 1590 00:36:59,133 --> 00:37:00,167 REACTION. 1591 00:37:00,167 --> 00:37:01,500 YOU JUST HAVE TO WORK ON IT. 1592 00:37:01,500 --> 00:37:02,567 I GOT TO WORK ON MYSELF. 1593 00:37:02,567 --> 00:37:03,633 YOU GOT TO WORK ON YOURSELF. 1594 00:37:03,633 --> 00:37:05,167 AND I'M READY TO WORK ON IT. 1595 00:37:05,167 --> 00:37:07,267 I'M READY TO BE THERE FOR YOU. 1596 00:37:07,267 --> 00:37:09,800 I MEAN, THAT'S COOL. 1597 00:37:09,800 --> 00:37:10,600 THAT'S COOL? 1598 00:37:10,600 --> 00:37:11,367 YEAH. 1599 00:37:11,367 --> 00:37:12,300 I THINK THAT'S A GOOD THING. 1600 00:37:12,300 --> 00:37:14,233 [chuckles] 1601 00:37:14,233 --> 00:37:15,833 NONE OF Y'ALL WAS THERE! 1602 00:37:15,833 --> 00:37:17,067 NONE OF Y'ALL! 1603 00:37:17,067 --> 00:37:18,800 THIS [bleep] STILL 1604 00:37:18,800 --> 00:37:20,100 IS [bleep] WITH ME, 1605 00:37:20,100 --> 00:37:22,133 AND DON'T NOBODY SAVE ME! 1606 00:37:22,133 --> 00:37:24,767 AIN'T NOBODY HELP ME AT ALL! 1607 00:37:24,767 --> 00:37:26,500 I GOT MY ASS BEAT! 1608 00:37:26,500 --> 00:37:33,500 WATCH BONUS CONTENT, SHAWTY, 1609 00:37:33,500 --> 00:37:34,967 K. MICHELLE WANTED TO MEET UP 1610 00:37:34,967 --> 00:37:36,267 AND TALK TO ME ABOUT 1611 00:37:36,267 --> 00:37:37,467 THE PERFORMANCE SHE HAD 1612 00:37:37,467 --> 00:37:38,467 THE OTHER DAY WITH THE SAVING 1613 00:37:38,467 --> 00:37:39,467 OUR DAUGHTERS. 1614 00:37:39,467 --> 00:37:40,633 AND I'M GONNA KEEP IT REAL. 1615 00:37:40,633 --> 00:37:41,867 I'VE BEEN DREADING THIS WHOLE 1616 00:37:41,867 --> 00:37:43,100 LITTLE SITUATION RIGHT HERE. 1617 00:37:43,100 --> 00:37:44,333 I MEAN, THOSE ARE MY FRIENDS, 1618 00:37:44,333 --> 00:37:45,467 MY REAL FRIENDS, 1619 00:37:45,467 --> 00:37:46,500 THAT SHE'S TALKING ABOUT, 1620 00:37:46,500 --> 00:37:47,333 AND SHE AND I ARE TRYING 1621 00:37:47,333 --> 00:37:48,700 TO DEVELOP A RELATIONSHIP. 1622 00:37:48,700 --> 00:37:49,867 SO IT PUTS ME IN A REALLY, 1623 00:37:49,867 --> 00:37:51,333 REALLY FUNNY PLACE THAT I DON'T 1624 00:37:51,333 --> 00:37:52,700 WANT TO BE IN. 1625 00:37:52,700 --> 00:37:55,067 RIGHT BEFORE I GOT ONSTAGE, 1626 00:37:55,067 --> 00:37:56,367 YOU KNOW, I GOT A TWEET, 1627 00:37:56,367 --> 00:37:59,267 AND IT WAS HIM. 1628 00:37:59,267 --> 00:38:00,767 AND THE TWEET WAS LIKE, 1629 00:38:00,767 --> 00:38:03,067 YOU KNOW, "I BOUGHT YOU TEETH 1630 00:38:03,067 --> 00:38:04,767 OR I BOUGHT YOU THIS," 1631 00:38:04,767 --> 00:38:05,967 YOU KNOW, "I MADE YOU." 1632 00:38:05,967 --> 00:38:07,633 AFTER I READ THAT, 1633 00:38:07,633 --> 00:38:10,333 EVERYTHING, YOU KNOW, TOOK OVER. 1634 00:38:10,333 --> 00:38:12,767 AND FOR ME NOT TO SPAZ OUT 1635 00:38:12,767 --> 00:38:14,533 AGAINST HIM, THAT'S A LITTLE 1636 00:38:14,533 --> 00:38:15,800 BIT OF GROWTH. 1637 00:38:15,800 --> 00:38:18,200 SO I JUST THANK YOU FOR NOT 1638 00:38:18,200 --> 00:38:20,100 TAKING SIDES IN THE SITUATION. 1639 00:38:20,100 --> 00:38:20,967 YOU KNOW, I DON'T KNOW. 1640 00:38:20,967 --> 00:38:22,533 I JUST FEEL LIKE IT COULD BE 1641 00:38:22,533 --> 00:38:23,867 JUST HANDLED DIFFERENT. 1642 00:38:23,867 --> 00:38:25,333 IF YOU CAN SAY THOSE TYPE 1643 00:38:25,333 --> 00:38:26,733 OF THINGS TOWARDS ME WITHOUT 1644 00:38:26,733 --> 00:38:28,100 SAYING "I'M SORRY"-- 1645 00:38:28,100 --> 00:38:29,533 BUT IF HE SAYS HE'S SORRY, 1646 00:38:29,533 --> 00:38:31,100 THEN WHERE DOES THAT PUT YOU? 1647 00:38:31,100 --> 00:38:32,133 DOES THAT TAKE YOU TO ANOTHER 1648 00:38:32,133 --> 00:38:32,833 PLACE? 1649 00:38:32,833 --> 00:38:33,533 YOU KNOW WHAT IT DOES? 1650 00:38:33,533 --> 00:38:35,733 IT LEAST MAKES ME FEEL LIKE 1651 00:38:35,733 --> 00:38:37,900 THERE IS SOME GOOD. 1652 00:38:37,900 --> 00:38:39,567 MAYBE HE'S NOT DOING THAT 1653 00:38:39,567 --> 00:38:41,133 BECAUSE THAT'S NOT SOMETHING 1654 00:38:41,133 --> 00:38:43,133 THAT HE DID TO YOU. 1655 00:38:43,133 --> 00:38:45,067 RASHEEDA, HE DID THAT TO ME. 1656 00:38:45,067 --> 00:38:47,067 I HAVE SCARS ALL ON MY LEG, 1657 00:38:47,067 --> 00:38:48,500 CARPET BURNS, 1658 00:38:48,500 --> 00:38:49,967 FROM FIGHTING. 1659 00:38:49,967 --> 00:38:50,900 HOW WOULD YOU FEEL IF A TOWEL 1660 00:38:50,900 --> 00:38:52,500 WAS OVER YOUR FACE, 1661 00:38:52,500 --> 00:38:53,900 SMO-THERED. 1662 00:38:53,900 --> 00:38:55,767 HE NEEDS TO APOLOGIZE. 1663 00:38:55,767 --> 00:38:57,367 I HAVE EVERY TEXT MESSAGE 1664 00:38:57,367 --> 00:38:58,433 WHEN YOU TRIED TO SAY 1665 00:38:58,433 --> 00:39:00,467 THAT YOU WOULD KILL MY SON. 1666 00:39:00,467 --> 00:39:01,867 SO IF I WAS A EVIL CHICK, 1667 00:39:01,867 --> 00:39:03,067 I WOULD SEND THAT TO A BLOG 1668 00:39:03,067 --> 00:39:04,133 RIGHT NOW. 1669 00:39:04,133 --> 00:39:05,300 I AIN'T DONE IT. 1670 00:39:05,300 --> 00:39:07,067 BUT IF YOU KEEP ON, I AM. 1671 00:39:07,067 --> 00:39:08,800 SO YOU NEED TO TAKE 1672 00:39:08,800 --> 00:39:10,733 YOUR ASS ON DOWN THE STREET 1673 00:39:10,733 --> 00:39:13,167 BECAUSE YOU WASN'T THERE. 1674 00:39:13,167 --> 00:39:14,267 THREE YEARS. 1675 00:39:14,267 --> 00:39:15,500 MY CAREER WAS RUINED 1676 00:39:15,500 --> 00:39:17,167 BECAUSE I COULD NOT TALK. 1677 00:39:17,167 --> 00:39:18,700 I DON'T HAVE THAT NO MORE. 1678 00:39:18,700 --> 00:39:20,267 I DON'T CARE 1679 00:39:20,267 --> 00:39:22,433 WHAT NOBODY GO TO SAY ABOUT ME, 1680 00:39:22,433 --> 00:39:23,933 'CAUSE THAT'S MY [bleep]! 1681 00:39:23,933 --> 00:39:25,500 NONE OF Y'ALL WAS THERE! 1682 00:39:25,500 --> 00:39:26,967 NONE OF Y'ALL! 1683 00:39:26,967 --> 00:39:28,700 THIS [bleep] STILL 1684 00:39:28,700 --> 00:39:30,100 IS [bleep] WITH ME! 1685 00:39:30,100 --> 00:39:32,067 I GOT MY ASS BEAT! 1686 00:39:32,067 --> 00:39:33,267 AND I GOT TO EXPLAIN TO THE 1687 00:39:33,267 --> 00:39:34,433 WORLD WHAT THE [bleep] 1688 00:39:34,433 --> 00:39:35,967 HAPPENED TO ME. 1689 00:39:35,967 --> 00:39:36,867 WHAT HAPPENED TO SAYING, 1690 00:39:36,867 --> 00:39:38,067 "I'M SORRY THAT HAPPENED 1691 00:39:38,067 --> 00:39:38,867 TO YOU?" 1692 00:39:38,867 --> 00:39:40,833 THAT MAN BEAT MY ASS, 1693 00:39:40,833 --> 00:39:43,100 AND I HAD TO DEAL WITH THAT! 1694 00:39:43,100 --> 00:39:44,333 SO I DON'T GIVE A [bleep] 1695 00:39:44,333 --> 00:39:45,967 WHAT NOBODY THINK NOTHING 1696 00:39:45,967 --> 00:39:49,067 I GOT GOING ON! 1697 00:40:00,100 --> 00:40:01,333 ON THE SEASON FINALE 1698 00:40:01,333 --> 00:40:03,433 OF LOVE and HIP-HOP: ATLANTA... 1699 00:40:03,433 --> 00:40:04,767 TO 12 MORE YEARS 1700 00:40:04,767 --> 00:40:07,200 AND 12 MORE AND 12 MORE. 1701 00:40:07,200 --> 00:40:07,933 I'M NOT GONNA BE RAN UP 1702 00:40:07,933 --> 00:40:08,800 OUT OF ATLANTA. 1703 00:40:08,800 --> 00:40:09,733 I'M GONNA SAY WHAT THE [bleep] 1704 00:40:09,733 --> 00:40:10,800 I WANT TO SAY, 'CAUSE YOU KNOW 1705 00:40:10,800 --> 00:40:11,633 WHAT? 1706 00:40:11,633 --> 00:40:12,700 I'M [bleep] HURT. 1707 00:40:12,700 --> 00:40:15,000 NO MORE TEARS. 1708 00:40:15,000 --> 00:40:16,467 YOU GOT A MAN? 1709 00:40:16,467 --> 00:40:17,200 IT'S COMPLICATED. 1710 00:40:17,200 --> 00:40:18,700 IT'S... 1711 00:40:18,700 --> 00:40:20,467 DOES THIS SHOW ANY DOUBT? 1712 00:40:20,467 --> 00:40:23,033 ARE YOU READY? 1713 00:40:23,033 --> 00:40:23,833 YOU KNOW, THAT'S JUST 1714 00:40:23,833 --> 00:40:24,700 SOMETHING THAT I WANTED, 1715 00:40:24,700 --> 00:40:25,933 THOUGH, A FAMILY UNION. 1716 00:40:25,933 --> 00:40:27,467 AS FAR AS TRUST AND LOYALTY, 1717 00:40:27,467 --> 00:40:29,033 I CAN'T GET THAT FROM YOU. 1718 00:40:29,033 --> 00:40:30,300 I CAN'T GIVE YOU LOYALTY? 1719 00:40:30,300 --> 00:40:31,267 MM-MMM. 1720 00:40:31,267 --> 00:40:32,733 YOU [bleep ] IT UP. 1721 00:40:32,733 --> 00:40:33,767 BUT THAT AIN'T EVEN 1722 00:40:33,767 --> 00:40:34,500 MY INTENTIONS. 1723 00:40:34,500 --> 00:40:35,500 YOU AIN'T THE ONLY ONE 1724 00:40:35,500 --> 00:40:37,100 THAT CAN BE HURT, BOO. 1725 00:40:37,100 --> 00:40:38,333 AND THAT [bleep] THAT HAPPENED 1726 00:40:38,333 --> 00:40:39,367 IN THE PAST, YOU CAN'T BRING 1727 00:40:39,367 --> 00:40:40,367 THAT [bleep] TO WHAT WE GOT 1728 00:40:40,367 --> 00:40:41,300 RIGHT HERE. 1729 00:40:41,300 --> 00:40:42,467 YOU PLAYING WITH ME NOW, 1730 00:40:42,467 --> 00:40:43,333 JUST LIKE THIS BITCH WAS 1731 00:40:43,333 --> 00:40:44,300 PLAYING WITH YOU. 1732 00:40:44,300 --> 00:40:46,833 HE IS NOT GOING TO CHANGE. 1733 00:40:46,833 --> 00:40:48,900 THE TWO OF YOU HAVE TO TAKE 1734 00:40:48,900 --> 00:40:52,000 CONTROL OVER YOUR OWN LIVES. 1735 00:40:52,000 --> 00:40:52,900 WHY AM I HERE? 1736 00:40:52,900 --> 00:40:53,867 'CAUSE I THOUGHT I'D BRING 1737 00:40:53,867 --> 00:40:54,867 YOU HERE TO LET YOU KNOW 1738 00:40:54,867 --> 00:40:56,000 THAT I WAS WORKING ON OUR JOINT 1739 00:40:56,000 --> 00:40:57,467 AND INTRODUCE YOU. 1740 00:40:57,467 --> 00:40:58,767 YOU COULD DO A SONG WITH HIM. 1741 00:40:58,767 --> 00:40:59,467 I'M PRETTY SURE IF YOU 1742 00:40:59,467 --> 00:41:00,333 [bleep] HIS [bleep], 1743 00:41:00,333 --> 00:41:01,533 HE'LL MAKE A TRACK. 1744 00:41:01,533 --> 00:41:02,367 I DON'T NEED-- 1745 00:41:02,367 --> 00:41:03,400 TILL NEXT [bleep]. 1746 00:41:03,400 --> 00:41:04,233 I DON'T NEED TO DO WHAT YOU 1747 00:41:04,233 --> 00:41:06,533 GOT TO DO TO MAKE A SONG THOUGH. 1748 00:41:06,533 --> 00:41:08,067 I'M JUST NOT DOING THIS 1749 00:41:08,067 --> 00:41:08,767 ANYMORE. 1750 00:41:08,767 --> 00:41:09,667 STEVIE, JUST SAY YOU'RE NOT 1751 00:41:09,667 --> 00:41:10,433 DOING-- 1752 00:41:10,433 --> 00:41:11,367 YOU WANT ME TO SPELL IT OUT? 1753 00:41:11,367 --> 00:41:12,067 YES. 1754 00:41:12,067 --> 00:41:14,167 I'M DONE.